black absurd comedy

Keagan 2022-03-14 08:01:02

Polanski's early work has a surprising imagery punch, as well as a sudden sense of humor. Aside from the castle on the desert island, the highway flooded by the evening tide left a deep impression on me. The settings and changes of the environment also affect the development of character psychology and character relationships, and this technique shows more amazing dexterity in more classic works after that.

With extremely limited characters, two men and one woman are trapped in a relatively monotonous space, and the meaning of claustrophobia slowly seeps out, resulting in dramatic conflict and tension. It's just that there are obviously too many comedy elements in this film, and many of them have a sense of nonsense, such as the guest party scene, which makes the tone of the whole film constantly changing, although the whole story is shrouded in an unusually dark scene, Even almost a virtual stage.

What I have to mention is the bizarre soundtrack in the film. I have never heard jazz in this style before. It's a bit spooky and funny, and it goes well with those absurd scenes.

The moral of the film is elusive, I guess it is related to the background or social environment at the time (?), or is it just the director's whim? In any case, this heterochromatic work has fully revealed the fierce style and extraordinary artistic pursuit of the film master.

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Extended Reading

Cul-de-sac quotes

  • Richard: Cheers, old chap.

    George: I never drink.

    Richard: You ain't refusing to have a drink with Dickie, are you?

    George: I can't drink alcohol. It makes me sick. Especially this time in the morning.

    Richard: Either you're a pal or you ain't. Time don't make no difference with pals. Bottoms up.

  • Richard: What a rock pile. Eleventh century.

    George: Romantic age.

    Richard: Bring on the little girls! You could throw some real wild orgies in that old castle of yours - couldn't you, you old bastard, you?