director expressed such feelings implicitly and implicitly. The secret love and confusion of one party were expressed in the
final confession. It was a touching confession of the true self, but in the context of condemnation, it was
destined not to be. The tragedy
ended and the other heroine walked on a path with a heartache. . . .
Hepburn's early works are so mediocre in acting and the tone of the film itself is dull. It
is a pioneer of LES films.
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