This animation is probably the most messed up of all the animations I've ever watched. It has two themes, one is burning, and the other is blood (.
Its name is hard to understand and it is meaningless at first glance, and people who have not seen it will not know what the title is. The style of painting is also not very delicate, and it is completely incomparable with the various films that sell rotten meat and sell meat now-you must know that its protagonist is no different from a child from the beginning. Its plot is full of blood, and there are various seemingly Confused logic and inexplicable unfolding.
Even so, I still love this animation. The plot starts with a certain god turn, and goes on a road of no return, like a runaway horse - or Like a derailed roller coaster - going straight to a strange destination. Every bloody BGM, every line that makes you want to cover your face, every hearty battle, this film Every component of the animation is screaming "Go! Go! Go!". If the underground world is not wide enough, hit the ground; if the above world can't hold it, hit the universe ;If even the map of the universe has been cleared, then go to fight in a different dimension. In this kind of inspirational film that even the moon can be smashed down as a bomb, there is no need to think about anything at all. The big red lotus group Everything can be conquered, all the difficulties and obstacles in the world must make way for momentum, as long as there is momentum, the world can be saved.
There are two things about Tianyuan Breakthrough that deeply moved me. One is the difference between leaders in times of war and leaders in times of peace. Most animations about combat always end in the same way - the protagonist defeats the enemy, becomes a hero, and gains great glory. However, how many animations describe what these people who have conquered and become kings looked like later? I hate the twilight of the hero the most, so I firmly believe that the so-called hero can only live in people's hearts. The most depressing part of the whole play is when the protagonist Simon is betrayed by the country he built - but who can blame the people for their mistakes? Politics, the grinding goblin, is really changing the people who were holding the steering rod little by little, causing them to gradually lose their beliefs and become people who have power but can't make any contribution. In the end, no one is wrong, it's just that politics is too cold.
Second, it doesn't overly glorify war. All the animations in which only the enemy dies in battle can't bring me enough shock. Those who fought desperately while holding the joystick and driving the mask, in the end, have gradually become corrupt in the seven years of hedonistic life. Fortunately, their blood has not been polished off, and they once again embarked on the journey of death when the shadow of the war dissipated and shrouded the earth again for seven years. Sure enough, the heroes in the juvenile comics should not be a group of people sitting in an office building chattering with pale words, but people who fight desperately with weapons. Everyone in my Great Red Lotus Group has achieved glory through death. Death is a sad thing, but fighting to the end with faith is probably the best thing for them. They fought and died, and no one ever said a word of regret before closing their eyes, and this was the last war of cruelty and glory.
Although so much has been analyzed above, in the final analysis this animation is still a brainless drama. Some things are really not good - how can there be such an ugly mech! It is obviously a large piece of steel, but a mecha that can move like a human is not scientific at all! And what the hell is it that you can make mechas fit by just relying on momentum without research and development! Animation screenwriters, how much have you done to the moon!
Cough, let’s get back to Tianyuan Breakthrough in a serious way – the ending is the finishing touch of the whole show.
The red cape that fluttered in the wind that year never faded.
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