Verlander is a very different detective drama I've ever seen. It has a cold tone, a simple picture, clumsy and real characters. British dramas are probably like this. People fall in love with it inadvertently. There are no police detectives like celebrities or supermodels. They are charming, humorous, smart, and some have special abilities. The team is close and has no family. No matter what happens, there is no psychological problem. Wieland has a midlife crisis, is at a loss, has temperaments, psychological problems, and is sometimes like a child. Work is his safe haven, or life thruster. Once upon a time, we were all like this, we were spinning like a top, with no direction. Wieland is so tired, we all feel tired when we don't pretend. He's not smart, but he's persistent, he's serious, maybe he doesn't have much to insist on. (In short, the screenwriters, directors, actors and production staff are very serious, do they want to express this life, we all understand.)
The picture is very emotional, and every frame looking out of the window is like a landscape painting that talks about ink. .
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