The film returns from the halfway point, the composition and tonal characteristics remain the same. The camera will stop on a composition, and the actors will also stop for a while, maintaining that expressive composition, and then continue with the next scene. The exterior tone has always been that eerie, eerie Martian color, but it no longer changes suddenly like it started.
The second half of the plot has also become inspirational, positive, sunny... I feel a little coping with it.
In the beginning, what does the shadow of the camera on the ground when the German woman walks alone? A salute to the new wave? It's a bit deliberate...don't like it
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