So, from the point of view of me and other grass-roots people, I came up with a trick to overcome - "true pupils go against the sky and close their eyes"! Those without swords can be replaced by mechanical pencils. Practice the technique of closing your eyes instantly by jabbing at yourself when no one is there. In the first test, do not use too much force or act too hastily to prevent injury. It's best to have someone to help. The enemy can wear a hat, raise his head instantly, and close our eyes with lightning. Over time, you will be able to practice until you want to close your eyes and close them for as long as you want. If you are free, make a pot of chrysanthemum and qi tea, and drink three or five cups of it every day, that is, your skill will greatly increase.
Alright, let's talk people. I saw the preview after knowing that Jianxin was made into a real person, a group of big matchups, a bit interesting. The temperament of Miss Sato is very special. I have only seen "My Handsome Butler" and "Q10" in the play (Ikematsu Zhuangliang is also very special), and I have an impression of his eyes. I watched him play in Brain Detective and Rogue Ishikawa. In Rogue, his appearance is somewhat similar to Kenshin, with long hair in ancient costume and standing in front of the wind, which is extremely unforgettable. The role of Kenshin must be captured. As audiences, we all think so. After watching the film, I feel that Sato Ken, an actor, thinks more deeply than we do. A good actor, the parts of the whole body can serve their roles.
The several fights throughout the film are full of enthusiasm (in the next female stream, nearly thirty years old). Thinking of all kinds of flower boxing and embroidered legs in other ancient costume Japanese films, in contrast, Kenshin is naturally superior in speed, soaring, spinning, and flying leaves. Although it is light and clever, it has the illusion of punching to the flesh. As Chinese audiences who have been immersed in martial arts films since childhood, at least one thing we are absolutely proud of is that in the world of light and shadow, when it comes to beautiful fighting scenes, we are the first. Although I admire the sophistication of Japanese dramas, when it comes to Japanese dramas and costume dramas, I am a mother. I still remember a scene where Takizawa Hideaki was fighting on a bridge in Yoshitsune, and it was really hard to swallow. In the past, Dororo specially invited Cheng Xiaodong to be a martial artist in order to play. This time, Kenshin's martial arts are Japanese, and they are Japanese who have returned from studying the classics. It reminds me of the envoy sent to the Tang Dynasty. Seeing works like Kenshin, as an audience, I am naturally happy, but I am also worried, so I won't say it.
Talking about my favorite martial arts actor, not to mention the Lianjiazi superstar, nominate a very favorite, Jiang David. Born in Wudi, in his early works (do you remember Ouchi Qunying's "Zeng Jing", everyone), every move and every style not only moves the shadows, but also makes people feel very strong. The good things in this world have the same soul. The same is true of Kenshin Sato Kenshin.
PS: I still prefer Snowdaiba, the Star Frost chapter was so frustrating.
PPS: After reading it, my heart was itching, I just opened Wushuang 6, chose an arc knife (much like a samurai sword), and the character chose Wang Yuanji (Jin), who had a more sensual appearance, entered the legend and randomly selected the level, danced the knife wildly. Dancing wildly! ! !
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