Professor Su Mu's question, try to answer

Guiseppe 2022-03-29 08:01:02

1. "Horse of Turin", if you don't like it, it doesn't matter, you like it, you like it very much. (5 points)
Don't like it, but admit it's a good movie. The whole film consists of 30 long to perverted long shots, many fixed shots and empty shots, the scene, the characters are single, the plot is repeated, the dialogue is very little, the background music and sound effects are also extremely monotonous, which makes people feel very boring and easy Distracted. But it has to be said that this kind of boring audio-visual effect is very suitable for the connotation and theme of the film. The director does not hesitate to arouse the audience's physical disgust to help the audience experience the difficulties and cumbersome life of the protagonist in the film with empathy, so as to deepen the theme.
2. How many horses appear in "Horse of Turin"? Is there a relationship between horses? Are the horses of Turin related to Nietzsche's horses? (5 points)
Three horses, a black horse kept by the protagonist's father and daughter and two white horses driven by a gypsy.
The three horses form sharp contrasts everywhere in the film, with one black and two white; in temperament, the black horse is in a stable condition and is on hunger strike to die; the white horse runs thousands of miles, carrying the Lord to survive. The temperament of a horse actually reflects the owner's mentality, symbolizing two completely different outlooks on life and values, and also heralding completely different fates for the two types of people.
The horse that Nietzsche encountered is similar to that of the dark horse in the film. This horse is the prototype of the dark horse in the film. Nietzsche went mad because he saw the beaten horse not obeying his orders, and felt the limitations and errors of the will to power and superhuman philosophy. The white horse in the film is a horse that Nietzsche did not see. The white horse just reflects the active function of the human will, and reflects the core idea of ​​Nietzsche's superhuman theory. If Nietzsche saw these two white horses, he would not go crazy. .
3. How many times did you eat potatoes in "The Horse of Turin"? Does it make a difference how many times you eat potatoes? (5 points)
A total of 5 times,
the first time
Scene : Close-up
Character: Father
Characteristics : Disabled, only one hand, one eye is injured, skilled movements, fast eating.
The second
scene: close -up
People: Daughter
Characteristics: graceful, slow, thoughtful
third time
Scenes: Middle Shot
Characters: Father and Daughter
Features: Father eats quickly and moves quickly; daughter eats slowly and thoughtfully.
Fourth
Scene: Middle Shot Characters : Father
and Daughter Features
: Father eats slowly, sits at the window and looks out of the window after only one bite : In the dark, the father eats raw potatoes and asks his daughter to eat them too, but the daughter refuses to eat them. It is not difficult to find that the way the father and daughter eat potatoes has gradually changed. The father started to enjoy potatoes, to the frustration and lack of appetite to eat potatoes after the failure of the move, and finally to eat raw potatoes with a peaceful mind. The daughter eats slowly and preoccupied from the beginning, and finally refuses to eat raw potatoes. Delicately depicting the different personalities of the father and daughter, it also indicates the occurrence of a family accident. 4. When did the wind stop in "The Horse of Turin"? why? (The 5-point wind stopped on the night of the fifth day. For the specific interpretation, see the answer to question 8. 5. How many shots are there in "The Horse of Turin"? (5 points and 30 points 6. Why is "The Horse of Turin" a black and white film? (5 points) In line with the film’s heavy and gloomy narrative tone, it enhances color blocks, hues, and light-dark contrast to set off a sad atmosphere; visually enhances the film’s texture, thickness and weight; eliminates the intervention of subjective emotions, and helps the film to narrate more calmly and objectively. The film explores the profound themes of philosophy, religion, life and death. 7. In "The Horse of Turin", why did the father and daughter come back after leaving home? (5 points) Objectively because of the wind, it is difficult to travel, subjectively because of My father is conservative and loves his family, and he is afraid and reluctant to live elsewhere. 8. What does the tree in "The Horse of Turin" mean? (5 points) It is the boundary marker that divides the homeland and the other country, symbolizing the father's local complex and family. .
















9. What is the "plot point III" of "Horse of Turin"? How to understand? (10 points)
The father eats raw potatoes and asks the daughter to eat it, but the daughter refuses to eat it.
The understanding must be combined with the previous plots, and the worldviews of the father and the daughter are analyzed separately.
The monologue of the wine buyer in the first half of the film is an important footnote of the film's ideological connotation. The monologue of the wine buyer is divided into two parts. The first part promotes Nietzsche's superhuman philosophy, and the second part is a complete denial of this philosophy. Because he discovered the limitations of superhuman philosophy, the irresistible external reality destroyed the will to power, which is why Nietzsche went mad. The wine buyer is Nietzsche's incarnation, and this speech can be seen as a subtext of "Mom, I'm so stupid."
His father's role is a loyal supporter of the superman theory. When he hears the wine buyer's confession, he drives him away, but he still insists on staying in his homeland, with the attitude that he will fight to the end, and man will prevail. That's why he is full of contempt for the wandering gypsies, but the gypsies really practice Nietzsche's superhuman spirit by seeking advantages and avoiding disadvantages. Even God can't keep up with their footsteps, and they always want to punish them. , there is no water here, there is water there, there is no light here, and there is light elsewhere. The film's worldview is actually moderate, sandwiched between believing in God and being a superman. It holds a rational and critical attitude towards Nietzsche's theory, which not only reveals its limitations, but also affirms its positive significance.
The role of a daughter is very interesting. She is not as stubborn as her father. She has a heart of reverence for God and a yearning to live elsewhere. This is from her reading the Bible and looking at the gypsies with admiration. And can be read. After an attempted kidnapping by a gypsies and an attempted move with her father, her desire to leave home has been awakened.
The end of the well is withered, but the wind has stopped, which is a symbol of a turning point. As one of the monotonous background sound effects, the whistling wind runs through the entire film, creating a desolate and sad apocalyptic atmosphere with the tedious and boring life of the father and daughter. In a sense, the high winds were the source of the predicament, destroying the market place, stagnating the horses used to transport supplies and supporting the father and daughter, and even bankrupt the father and daughter's moving plans.
The wind subsided, and it was the ability to act that was first liberated from the predicament. The daughter refuses to eat raw potatoes and live in secret. For the first time, she disobeyed her father's order.
10. Do you want to make your "Horse of Turin"? what is her name? (50 points)
I want to shoot, called "Not at the side of the plum, at the side of the willow". It tells the story of the unsatisfactory little people in real life, let the soul live elsewhere, and choose the soul habitat.

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Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.