Reminiscent of all the good in Hollywood

Asha 2021-10-22 14:33:06

The most amazing thing about "Dangerous Hour" is that even if it was expected to be a traditional American civilian personal hero meal, even if you have seen the old story outline and went to the cinema, the audience can still get through the excitement. When I was young, I found myself worried, smiling, sweet, crying, sighing, and applauding. Any genre of film to the extreme is a good film, which comes from the solid basic skills of film.
Black and white match, sea, land and air mixed together, multi-line narrative, fast-paced, high-speed. This is a movie that races against time. Although it uses a long-established means of transportation like trains, the story is still full of modernity. Under the economic crisis, the blue-collar workers who face retirement but face pay cuts, the company executives who misjudged, and the sense of value and glory of senior and old employees are the social issues that the United States is most concerned about at the moment. In addition to the perfect cutting, the parallelism of multi-line narration, and the control of rhythm, these beautiful living creatures and true emotions are the real reasons for the audience to cheer and cry.
The train passed through the beautiful jungle and beautiful town, as if it passed through the Hollywood gilded movie age. The vulgar name of "Dangerous Hour" reminds people of many grand movies in the 1990s. Although there is no lack of similarities between the movie and "Speed ​​of Life", there is still a big difference between the two. "Dangerous Hour" is full of little freshness in details. For example, Denzel Washington played a senior train driver. When it comes to his daughter's smile while working at the "Spice Girl Restaurant", everything is silent. Chris Payne is a qualified male vase, showing a handsome face responsibly. He narrates family disputes with his wife, just like telling about 1,000 similar American family disputes. This is what he is capable of. The director was right. He chose a nearly perfect Hollywood face.
It is not easy to tell such an old story. Of course, the movie is by no means perfect, and there are many loopholes. Even me, an ordinary liberal arts girl, can think of many ways to get on the locomotive. But the final choice couldn't help but surprise me. It was too weak, and I felt a little discouraged. As for the final cheer, people couldn't help but give birth to a feeling of sadness in the dusk and anger when they were in full bloom.
In any case, in November's sleepy theater, "Dangerous Hour" at least caught people's hearts. It is reminiscent of all the good things about Hollywood: complex narratives and smooth dialogue, good storytelling, praise and derogation at a glance, time precisely controlled. The most important thing is to never let people be too disappointed. Ah, this is the quality lacking in domestic movies that have repeatedly made false shots.

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Extended Reading

Unstoppable quotes

  • Connie: No, it's definitely under power. We're not sure of the exact speed yet.

    Captain Allen: I thought all these trains had some sort of dead-man brake.

    Connie: There's a wand the engineer has to hit periodically or the air brakes are automatically applied. Unfortunately, this train's were disconnected. Sir, I would gladly explain the particulars of locomotive operation to you if we had time, but right now I really need your assistance posting officers at all the mainline crossings.

    Captain Allen: Uh, one question. How do you all plan to stop it?

    Connie: We're working on it.

  • Frank: How many cars are we supposed to cut in?

    Will: 20. Why?

    Frank: 20 cars, okay. See the switch stand ahead of us? The switch stand, yeah?

    Will: Uh-huh.

    Frank: Yeah. Take a look in the rearview mirror. You see the one behind us? Way back there. You see it?

    Will: Uh-huh.

    Frank: There's exactly 21 cars between the two stands. Don't ask me how I know. So why is it that there's still more than four and a half cars that are yet to clear?