The Horse of Turin: Nietzsche's Shell, Tarr's Soul

Leif 2022-03-29 08:01:02

At the beginning, through the introduction and Tarr's always cold and depressing style, I thought it would be a rather complicated, obscure and unfathomable movie. After watching it, I only looked at the information conveyed visually, whether it is limited space, simple scenes, rare The dialogue of a single character, without a plot, seems so simple and clear, but the philosophical depth and implication reflected from it are extremely profound and superb. In my opinion, Tarr is not simply trying to find out the causes of Nietzsche or describe his ordinary life, but to trace and explore the powerful and fundamental philosophical reasons behind it.

Photography still continues Tarr's favorite black and white tone, which not only creates a pure space that is not disturbed, but also this kind of retro and original picture can find a very appropriate point of fit with the background of the times at that time. The beautiful soundtrack of sadness, grief and grief makes the atmosphere of the whole film seem unusually heavy and poignant, but there are only two father and daughter living in a limited scene day after day seemingly boring and repetitive, but through Tarr's calm and unique control and capture of the camera lens, like a long-term static pause of a fixed camera lens, may seem extremely boring and boring to some people, but after reading it, you will find that Tarr's idea is actually quite Subtle and genius.

It can be said that Tarr has created a sophisticated and complex philosophical structure in a seemingly simple layout. Through the ordinary daily life of the father and daughter and the subtle changes in nature, as well as the first-class use of the camera lens and poetic expression, to achieve the goal. Reflecting the existence value of nature, religion and the individual in a philosophical sense, just as the origin of this film is based on Nietzsche's mental disorder caused by a seemingly ordinary event in the future, in my opinion Nietzsche's identity and experience are more like It is the blueprint and shortcut chosen by Tarr to plan this masterpiece. Whether it is Nietzsche himself or The Horse of Turin, they all gain a certain ideological sublimation from the simple to the deep through the ordinary normality. In the plain and general intentions, I can really experience a profound insight that is the most essential, like returning to the basics.

The whole movie is divided into several small segments by time. Within a certain time and space, the daily and trivial things in life are repeated tirelessly, but in the whole seemingly boring process, Tarr has subtly integrated a little bit. Changes and the invasion of foreign factors, from the strong disgust and loss of control of horses, the uttering of wine buyers, a group of free hedonistic gypsies, the wells that have suddenly dried up to the bottom, the dying horses, and they can't be ignited. The kerosene lamp, in the end, can only helplessly eat raw potatoes. Through these ingenious designs and more and more drastic changes, you can feel a very subtle relationship between nature and creatures, human beings and animals, society and human beings. Some kind of invisible and close connection.

The strong cold wind is arrogantly searching and attacking outside, and the powerful energy bursting out of the fickle nature makes everything seem incomparably small and humble in front of it. To be able to sit still and wait for death, at that moment, how insignificant and vulnerable the fragile creatures are in the face of the majestic nature. From the sloppy and haggard appearance, we can see how horses used to run around all day and are tired. One is that the unfair division of status is most obvious in the way humans and animals get along. The other is the emotional expression of horses. In the final state of mind and body, it seems that there is a strong and pessimistic resonance that can only be lived under passive, restrained and helpless living conditions. This point seems to be understood to a certain extent through Nietzsche's experience.

In addition to the father and daughter, there are two people in the whole film. Through their words and actions, we can find two things in common. One is to express doubts about religious beliefs, and the other can be regarded as a kind of foreign culture and The invasion of ideological trends, the interconnection between individuals and society, when the strong and stereotype insists on refusing to integrate into or accept contemporary civilization or ideas, and when they want to be completely loyal to their own existence, the last lens with infinite bitterness and sadness can see opportunities. It is very small. When you fall into many crises due to subjective and tough self-awareness or because of external influences, you can't struggle and resist. When God steps into a cold grave, belief is just a meaningless empty talk. When Tal creates all the above. In desperate conditions, in the process of seemingly constantly disappearing and passing away, it returns to the original point step by step, reflecting the inevitability and essence of existence.

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Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.