Three women.
They were a woman who had been cut off. The story accidentally reconnects the lives of three women.
Millie loves yellow, purple, everything romantic, whimsical narratives—even human relationships. From Pinky working with her, following Pinky's adoring and curious gaze, we gradually get a glimpse into this woman's real life. She is bright and beautiful in front of people. She is the best nurse in the whole nursing home. She is gentle and patient. She also secretly smokes a cigarette against the rules of the hospital. , from time to time to the "Ge Shidao" bar that opened in an abandoned playground. (The bar owner is named Edgar, and the proprietress is a taciturn painter named Willie.) But the life behind Millie is less than satisfactory. More often (as if the director was joking with the audience before, and only showing a certain side of his life), she rambled intoxicatedly to her colleagues, but was mocked with a cold response and a raised mouth; she took the trouble to say hello to Tom, But every time there is a moment of silence, it is also a moment of embarrassment; she "try to have a party for her former roommate", and nervously prepares ingredients for it, insists that the cakes are placed in complete symmetry, and dresses herself up with delicate makeup and nice curves. , the other party temporarily decided not to come, so the Party failed. At that time, Millie was undoubtedly pitiful. She could only pretend to be popular in front of young women who admired her, and lied that Tom had been rejected by her several times; she said to the young men and women in the same building playing by the pool, "I won't come down to eat with you. After that, all the disturbances in the back of my head were all sneers; after learning that no one was coming to the Party, she said enchantingly that she was going to the bar "have some fun for change", but only brought back a wandering around, who would meet her. Who's Edgar. It's night, and Millie lashes out at Pinky, accusing her of bringing bad luck and telling her to get out. So Pinky jumped off the third floor. Below is the swimming pool, and the mural on the bottom of the pool is accompanied by water patterns, slowly swinging in the night together with Pinky's comatose body.
Pinky is fascinated by Millie's seemingly "rich" life, as well as Willie's paintings at the bottom of the pool, in which the lines are clear, but the desire is intertwined. In the painting, the men with scarlet tongues, grinning teeth, and the totems that symbolize male genitalia make her both cowardly and envious.
Millie was kind after all, and when she came out of the room disheveled to witness the scene, she cried. I immediately cried. In the days that followed, she went to the hospital every day to visit Pinky who was unconscious, gave her some words of encouragement, and found Pinky's parents in Texas.
Millie continued to make up unwarranted stories to her colleagues, such as "Pinky often asks about you, especially about the twins", but the twins never looked back; I miss you so much, I will wait for you to get better before going back to work.” She denounced the possibility of Pinky returning to the hospital after recovery to the hospital director. After learning that there was no hope, she resigned angrily: "Nobody cares her. I quit."
After Pinky woke up, she did not recognize her parents, and the doctor said it was short-term memory loss. At the same time, her temperament has changed dramatically - bold, flirtatious, flirtatious, and spends all day hanging out with the lascivious Edgar. Edgar was originally the husband of the female painter Willie. Now Willie is pregnant, but he practiced gun hunting all day long and was idle. What's more, after Pinky discovers Millie's diary, he mistook it for his own diary, and is still thinking about how to get Millie out of the hut they shared. Millie was shocked by this series of changes, but she swallowed it all considering Pinky's condition. It's just that she opened her big eyes and looked dazed, and the identities of the two have reversed. Pinky is more like Reddy - dazzlingly red and domineering; while Millie has temporarily shrunk from dazzling yellow to smoky yellow. Fortunately, the yellow transition zone is very large, and it can still change back soon.
Until one night, Pinky woke up from a series of nightmares - in fact, the dreams were nothing but the past, and the picture was slightly distorted. After waking up, she regained her panicked, beast-like eyes and asked Millie in a low voice if she could sleep with her, saying she was "scared". Millie agreed immediately. The two were back in their old identities, and Millie was comfortable taking on the roles of "Protector" and "Pretender" - an adult position.
At this time, the scumbag Edgar used the spare key to get into their house, and inadvertently told about Willie's labor, so P\M drove to Willie's hut. Millie asked PINKY to call the doctor and stayed in the room. just in case. But the baby was about to be born, so Millie delivered the baby for her. She didn't expect the baby to be cold and breathless when she received it. Millie's trembling hands were covered in blood, and she rushed out of the room to see Pinky hiding in the dark with tears in her eyes, and gave her a slap: You didn't even go (to get the doctor)! Pinky stayed where she was The ground, still did not slow down.
The ending is very hazy. It is known from unrelated people that Edgar went off with a gun (or that Willie "accidentally" killed him? I didn't hear the truth). Pinky (young) becomes Millie (middle-age)'s daughter - at least that's what she calls her. And in the cabin, the woman who saved them both: Willie (older), with long black and dense hair, swaying on the swing, waiting for them to come back. Outside the house is a continuous line of bald trees, and the barren treetops are still slightly shining with the light of the past.
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