Calm, objective, cool, articulate and vicious.
I often wonder what kind of words should be inscribed on my epitaph after my death.
Lawyers, lunatics, geniuses, idiots, sons, brothers, addicts, gamers, bastards... It's a summary of the hero's life.
To be honest, I envy him.
He himself was not happy, nor did he smile.
Unshaven, drug-addicted tattoos.
Wear a very fancy shirt with a tie that doesn't match the world.
Impatient to listen to other people's speech, and don't care about the schedule of friends.
He got acquainted with the three religions and nine streams, and hung out with prostitutes.
He seems to love his wife very much, but the only face-to-face encounter in the film is with a gun.
He and the prostitutes cherished each other.
He has a friendly attitude, is very talkative, and doesn't get angry.
The prostitutes were willing to serve him.
It was such a person who met the old Diaosi who sold safety needles in order to make a big deal.
At first he just wanted to surpass a peer with some envy.
As a result, after he was cornered step by step, he realized that the case was advancing and retreating with his life.
He and his partner have no money.
Objectively speaking, partners are you and me in this world.
Maintaining stability, being aware of current affairs, having to be tolerant, and possessing everything in normal life.
Even the kitchen placemats are impressive.
When they fell into crisis time and time again, his reasons were irrefutable.
For the first time, he said he had to give up, because the senator who seemed to be a thief rekindled hope.
Our male lead even quit drugs for a word from the old lady.
Then, the senator disappeared because of a phone call from a powerful force.
No one knows if she will be conflicted and miserable.
But in the face of enormous pressure and choices that must be made,
if this is our family in reality, who will become the hero in the movie?
A good film is one that makes you think every second: what if it were me?
The huge pressure always shows the ruthlessness of the screenwriter.
When they went to the Hongmen banquet held by the arrogant spokesperson, they
were speechless by the big courtyard, the big horse, and the big secretary owned by the other party without saying a word.
At the end, no one handed him the glass of orange juice that the male number one asked for.
This is the reality, the gap between Diaosi and Gao Shuaifu.
No lines required, just a gesture.
When the origin of the case, the nurse who contracted AIDS from needles
, died silently and peacefully,
everything seemed hopeful.
They had some funding and brief media attention.
But with the senator's withdrawal, they had to accept security.
How are you? I'll buy.
Do I use it? Say it again.
Several million, three diaosi points in a desperate situation, not bad, right?
Then, the two diaosi accepted.
Our male number one became the male number one because he didn't accept it.
An old enemy employee who was also a friend of the deceased nurse said something very sincere.
In commercial films, it should be used as an eye-catching drama.
But this movie, you can't think about it.
Then the male lead watched the videotape, which is the kind of thin African child we often watch.
Then, say those needles, were responsible for the infectious disease that spread rapidly from 1966-1976.
I think, in fact, foreigners are still very responsible.
Who is responsible for everything in our Chinese life?
Conscience, it's just a joke.
Then the most moving thing in the movie is the conversation between the male lead and the anti-No. 1 in the middle of the night.
I looked at the timecode and there were 12 minutes left.
I know the writers are going to be tough.
Every word they say is true.
Anti-One has a pretty long overhead shot, weird, but beautiful, and terrifyingly terrifying.
Then the male lead made some rhetoric.
Then, he died.
Of course, the end of the movie is good.
Our diaosi also have power and background, and they seem to be flying on the road of greatness.
However, there is no longer a male number one who is anxious, painful, and sniffling at this moment.
In the movie, I love him so much.
In life, I will hate him.
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