How could this personal interpretation of life and death from the form of belief and political form get into his eyes, and he still couldn't understand it after watching the whole film? Could it be that he suffered some kind of blow from the death penalty? A very private catharsis? Because compared with the personal creation history of documentaries he formed before, the pattern is really much smaller.
Of course, the above is only for the director, but purely from the perspective of the film, its sincerity is undeniable, and the narrative context is not out of the way. It's just that such a subject really doesn't need the master to do it himself.
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