The characters' identities are different, and their footholds are naturally different. One is an Eastern working woman and the other is a Western intellectual.
The point of the Chinese people is the love of mother and child.
There are also parts of the foreigner's drama. Olympia Dukakis's line, my son often sends us gifts, I hope he saves the money to travel to see us.
The male protagonist said that the children are busy, and the old lady replied, yes, but she has time to travel to Hawaii.
This is a Canadian film, and going to Hawaii is equivalent to going abroad.
That's it for the family part, everything else is love. For foreigners, love is very important, regardless of age.
Olympia Dukakis became famous at the age of 56. The good thing is that 20 years later, she is still the same.
2.Sarah Polley was born in 79, almost 80 years old. I know her as "Sweet Afterlife", and this debut has an amazing Igao style, is it a coincidence?
Or people who grew up in the ice and snow in Canada with similar auras?
Before the age of 30, the great sorrow of life was photographed. Compared with the experience of the old lady Xu Anhua for most of her life, she had no stage fright at all. This can only be called talent.
A certain post-70s Chinese female director surnamed Xu, you really don't wear the hat of a talented girl.
3. The hero finally pushes his wife's "lover" back to the nursing home. I have traveled to the stalk of the Taiwanese movie on Valentine's Day. Director Douzi told Shu Qi that loving someone is to make her happy. Suddenly I found that what away from her said was actually this bad line.
When the stalk is used well, the audience can feel the inner pain of the characters;
when it is used badly, there is no comedic effect.
4. Do the East and the West have something in common?
Of course, human emotions are all the same.
Or the lines of Olympia Dukakis:
it's just life, you can't beat life...
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