Setting introduction:
1. The third
class is a class with a very tragic tradition. Every year there is a dead person patronizing. His purpose is to make this class dead. The origin is that a group of people did a very tragic thing, and the result is that every year after that, a dead person will come to give the last dead person in this class a halo. And everyone related to this class and within that town that doesn't know where it is will be shrouded
in the halo of this big dead man. deceased
The dead thing is very strange, like a Debuff aura. As long as it exists, the tragic teenagers in the third class will die every month in various ways that seem normal and sound very abnormal. And those who acted as the deceased were those tragedies who died under the great halo before that year. Their ultimate goals are only two, one is to wait for graduation and then disappear (becoming a Buddha? This is very doubtful), and the second is to be found and hacked to death by the people in the class. (It is really a tragic thing to die again, but in the author's words, it is to let the deceased go to the place where they should go, which also makes this tragic thing sound so pleasant. In fact, to put it bluntly, soul Dan! You If we don't die, we will die. Anyway, you have already been tragic once, and trouble you to tragic again). The deceased can still be with one person in the class, including the head teacher and the deputy head teacher. And the deceased will not remember what happened when he or she died. Everything in the past will be reasonably covered up by some very strange bridges. The people around won't have the memory of the deceased's death. Anyway, the deceased is another in the class. Except for the lack of a table, there is no way to know whether the deceased was mixed in with the class. (If you insist on the tragic halo, I can also say that the tragic halo is the second way to distinguish whether there is a dead person in the class... Naturally recalling the original memory or something is not within the scope of consideration)
Three.
Naturally, if there is one more dead person in the class, there will be one more number of people who do not exist . Since the beginning of the tradition of tragedy, the seniors of the three-year class have begun a history of arduous struggle against the halo of tragedy. Finally, in a certain year, I found that as long as one person in the class is regarded as air, there will be no death in the class. After that, there is a person who chooses one person every year to be a non-existent person. As long as the whole class, including all teachers, ignores the TA, then there is a high chance that no one will die this year.
Four. Some years and no years
are very simple, some years are the year of the dead. A year without it is the other way around.
five. The open
eye of the heroine is essentially a prosthetic eye, made by the heroine's mother for her, a doll's eye. But don't think that just the eyes of the doll can be taken lightly! You can see the breath of death, just skip the setting of the dead. No matter how you pretend to be the dead, I can see who you are at a glance!
By the way, there is no feeling that everyone wants to say: "Yes! There is only one truth! The dead is you!" What about the feeling?
Synopsis: This one is pretty straightforward. The protagonist's father is on a business trip, and the protagonist goes to live at his aunt's house. The aunt transferred him to the third class of three years where she was with a fine tradition. Where does the protagonist meet the heroine who is regarded as someone who does not exist. The protagonist covets the beauty of the heroine and breaks the rules. Then the class began to die, and then all kinds of speculation. Finally, in front of the heroine's invincible prosthetic eyes, the deceased was pointed out, that's right! You read that right! The deceased is the protagonist's aunt! ! At this time, the protagonist regained his memory instantly and then waved his pickaxe, killing his aunt who hurt him so much. This time the reincarnation is over. ,
The end.
A few are deficiencies:
First of all, since I read the comic version and novel below, please forgive me if there is any discrepancy with the animation in the future.
one. First of all, the biggest flaw is the vague memory setting. It seems that as long as those who are related to the tragic halo of the third class, their memories will be modified. And not only memories, but also physical items such as lists, photos, and memoirs have been modified. I really don't know what virtues and abilities this deceased person has, so that he can make the fake settings so perfect. It seems that the margins of this memory are still infinite, because when the protagonist asked his father about some "sensitive topics", his father also seemed to be influenced. You know, his father is far away in India. So the heroine later used the word "phenomenon" to summarize this vague setting. However, it's not natural. You can't be too academic.
two. From my point of view, the doll
of the heroine's mother does nothing in the whole article except to frighten the protagonist when he first enters the store and to make soy sauce when the heroine recalls his life experience. The soul is weak, the props that appear so high in the first few episodes of the comics and animations are so soy sauce. The only bright spot is the doll prosthetic eyes of the heroine.
three. The number of classes, the number of dead and the number of surviving people
will be reiterated first. Since I read the manga version and novel below, please forgive me if there is any discrepancy with the animation in the future.
Nima! Only a few people died! ! Does it need to be the same as the end of the world? ! !
Four. IQ and brain of the protagonist
What the heroine says, what does the hero believe. Well, even if your resistance to soft girls is relatively low, but the heroine says she can see dead people, do you really believe it? Well, even if you really believe it. As soon as the heroine said that your aunt was deceased, did you directly reply to the memory? This... well, it turned black when I started. Served you OTZ...
five. About after the deceased is gone
Well, you said that after the deceased is dead, most people have no memory of the dead. So who can explain the group of students who went to the dormitory and were struck to death by lightning?
six. Or the prosthetic eye of the heroine
, except that you can discover supernatural substances. You can actually defend against the sword OTZ.
As for the end of the manga, it hints that a new cycle has begun.
It also proves that killing the dead can only end a season of reincarnation.
That spit to, objectively tap the brick OTZ
added: I
read the comment on another. I think people still don't understand the author's idea. (Of course, this is just my thoughts on this work, which is more personal).
First of all, what another person wants to express is not that people have found the theme of the dead, but how a group of children survive, collapse, and pervert in this environment.
The deceased is just an opportunity, what pedestrians want to show is the gradual deterioration of human beings. So in the original novel there are many small details about the character transformation. Personally, I think it may be because the editor of the animation did not understand it very well, so the audience misunderstood this work.
This theme also coincides with his wife, Onodeon's "Ghouls". In fact, ghouls do not focus on whether humans have defeated ghouls, but on how human nature persists and how it rots under such circumstances.
It goes without saying that another setting is poor. Because it itself is not a work that is set to win. If you really want to set up a masterpiece of Niu Cha, Ono Hall's "The Twelve Kingdoms" is not bad. But then again, "The Twelve Kingdoms" does not rely solely on the setting, and the description of the shaping and growth of the characters is also a highlight. In terms of animation, the editor of "The Twelve Kingdoms" also grasped this point very well compared to the editor of "Another".
Personally, I feel that the works of Pedestrian and Onodian are not the style of mindless plot. Everyone in their works is very intelligent, and there is no one who is too stupid. The same protagonist cannot exist like a god, it is a fantasy novel with a realistic style. So if you read these novels with the bird-free thinking of online king novels, you will naturally feel all kinds of discomfort.
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