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The plot develops very slowly, with thicker lines and basically no suspense. In the show, there is no drama. The greatest tension is not in the plot, but in the visual - the final savage's revenge - in fact, the technical content is not high. But the film is not useless, its meaning is still worth pondering. The whole film is a very poor metaphor: the female savage is a metaphor for the original wildness, resistance, and strong life force of women; the father Chris is a metaphor for the domineering, domineering, and cruel male power that oppresses women; the mother is a metaphor for domesticated women. ; Daughter and son respectively show the inheritance and stability of the status of men and women. In the end, the female savages killed all the males - father and son, and took away the youngest daughter (the hope of female self-conscious awakening). Originally, this plateau connotation needed to be wrapped in a perfect artistic panty, resulting in a film that was excellent inside and out. I didn't expect the result to be too bad, so that the content broke through the panties and was directly exposed, which was not aesthetically pleasing. All can be used as textbooks. The only bright spot in all the lines is the sentence that the father said while holding his daughter's neck: You women are working non-stop to drain our men.

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