From the bottom of his heart, the little fan that he regarded as his own wants to break with him, his boss is still so meticulous when he says he wants to kill his whole family, and his wife uses her hard-earned money to raise a rich second-generation old white face outside (at least He thinks so himself)
Papa's hysteria at the end of E11 has become so well-placed, because the previous setup and proper detonation have made me feel that Papa's existence is no longer important. Having
said that, I think it is This drama is completely capable of carrying elements that go beyond American dramas/Japanese dramas/stick dramas. That is! ! ! Depriving the protagonist of the material immunity/magic immunity halo
The point of all good dramas lies in their ability to resonate with people's inner feelings, while divine dramas can achieve some synchronization rates with you in terms of the meaning of the world and life. From a personal point of view, the drama is to make you realize that the bamboo basket is empty, and this empty is still Aoi (from the point of view of a straight man, you don't have to agree)
The ending of E11 is the part I like very much. The description of this scene by the frog in the well is not suitable.
The black money should have been hung in the wardrobe, but because of Gravity's relationship, it had to be transferred to the foundation (the scene of the broken wardrobe, Aunt Skylar smiled knowingly, is it vanity, or secretly enjoying the ability of her husband Provide, or Both? I really love this kind of aftertaste!)
Dad desperately climbed into the foundation, went to get the little green ticket that flew away and escaped Shuanggui, and found that the money was gone, thinking of Cao Cao, Cao Cao, and Aunt Skylar's fat face appeared in the world above the hole (Dad dug this hole by himself), saying that I gave the money to my boss and lover, Fu Erdai, and E11 is due to my father's roaring up in the sky and the scene reminiscent of train guessing.
It's all over, right?
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