The topic of genuine and fake, originality and reproduction, has long been a topic of repeated discussion. Writer Male has written a book discussing originality and reproduction for promotion in Italy. The ground accompanies the woman and brings the writer man to the art gallery in the outskirts of the town. There is a precious artwork here, but it was discovered 50 years ago that it is actually a fake from a long time ago. But will the artistic value of the fake be reduced? If it is said that it will not be reduced, because we can also obtain aesthetic happiness. If you say it will be lower, because the fake is not the real one after all. But what is the real thing? The writer man asked the woman to accompany her. When people admired "Mona Lisa's smile", they did not pursue the girl's whereabouts. Because if you go deeper, the smile of the girl Mona Lisa is the so-called "authentic"! So if we always put our eyes on the real or fake, we have lost the ability to appreciate. When the local woman was driving Writer Nan to the town, Writer Nan once sighed that every tree on the roadside is original, unique and beautiful, but there is no artist, so he put it into the art museum. That is to say, an art form is a shell that provides a vision for viewing. When we follow this "vision" to discover beauty, we are also limited by this shell, limited by this vision, and only see the "vision" and ignore it. inside. Then the two went to the cafe to continue chatting. The writer man walked out of the cafe to answer the phone, and the waiter at the cafe thought the two were husband and wife, and chatted with the woman, talking about husband and wife. The escort girl didn't correct her, but just let it go. Later in the square, an uncle also mistakenly thought the two were husband and wife, and taught the writer man to put his hand on his wife's shoulder, and a small gesture can resolve the conflict between husband and wife. When the writer man really put his hand on the ground to accompany the woman's right shoulder, the story entered an inflection point. Later, we found out that this writer man was actually the husband who accompanied the woman! And how is this possible? ! Because if so, we will overturn the previous plot! So I saw a lot of story introductions and comments on this film, and the writer male took this opportunity to pretend to accompany the woman's husband to do a play. This is the biggest misunderstanding of this film! Because his "vision" of watching movies is still deeply caught in "true and false"! Can not extricate themselves! If a writer man can pretend to be a husband, why can't a husband pretend to be a writer man? The reason is just because we saw the writer man "first", so we identified the writer man as "true" early in the morning, so we had to identify the husband's identity as "false" later. The truth is like the previous little story, a precious work of art that was only recently discovered to be a fake. Does this affect how we appreciate it? A writer man, who was only recently discovered to be her husband, affects how we appreciate it Eyesight? The film has come here, and the truth is no longer important. This is also another exploration of Abbas's film. To put it bluntly, these are two stories, strung together by the same actor and time and space, and even the stories are strung together. To put it bluntly, this is also a story, two unrelated identities. Use such expressions to make an "art form" of self-reflection and reactivate the eyes that discover beauty. When the husband and wife were quarreling endlessly, each using their own opinions to push the other into a desperate situation, the husband shouted: "If you are not prepared to look at the problem from another angle, why do you need to communicate?!" This should be on the movie poster. slogan! The discussion of love in the film is also closely related to the form and inner reflection, and is no longer praised one by one. In the future, if anyone asks why they chose the name Erdao Trader, I will recommend this film to him. What a powerful footnote this is!
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