Music, film, science, and hallucinations appear in segments, described as a more essential connection to the world. The protagonist is charging for a long time in anticipation of the final blow.
It is a process akin to giving up the possibility of understanding the real world and seeking the imaginary to rule the world. All dialogue is the center of the film, and there are many times the paintings wrapped in cloth, life is dust, and the world is unknowable. Only imagination can save itself.
In the end, it is a foolish idea to think that you can control the world, but it is equally simple and crude to think that you can take back that control, even with nihilism as a weapon.
From total control to uncontrollable, modernization is just a casualty, once again proving our ignorance.
Modernization conquered by nihilism is postmodern.
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