But there are still many beings that make me uncomfortable. The first is the mass grave. There are certain shots in this film that illustrate the term, I'm not sure how the filmmakers thought about it at the time, but for me personally these shots are pretty lethal. There are also crows that appear as symbols, the so-called South of the Battle City, the North of the Dead Guo, and the wild and unburialed crows can be eaten, which are very suitable for these pictures, although I know that these are still very rough productions. The purgatory on earth is neither Hiroshima nor Oss. Weissing, but just like the plastic mannequins in the store have mysterious spiritual powers, the sheer horror of seeing the horrors of human beings still suffocates me, and I dare not imagine Rwanda or Nanjing anymore.
There is also madness. It is said that the Mayans are related to Asians by blood or genetics, but I shuddered when I saw that the Indo-European faces with soft lines could burst out so much madness. The officer with the meticulous haircut in his shirt and the arrogance and arrogance on his face always ended up too hastily. I always thought that his madness should have a mad end, but his face, which is somewhat similar to Captain Mifine, is not. Reminds me of Viper, I fear him just because the gun is in his hands and he's just a lunatic without the support of violence. I shudder just as much when I see the junta leaders arranging the assassination plan with the hymn-like passionate voice they are all lunatics for no other explanation. Maybe this group was alluding to the Nazis, hesitant to think that the officer resembled Himmler but not sure; or maybe all third world dictators in the imagination of American anti-war radicals are like that, where power leads to corruption and so does crazy. And I'd rather see the guerrillas as crazy. Although such beliefs may exist, the aura of holding a press conference proudly despite only simple tables and chairs is not entirely fictional, but the scene of cavalry against tanks in this film is still unacceptable to me, 100 Why are there still people repeating what Senggelinqin had done years ago? No sensible military leader would make such a decision, except for madness.
I have never been able to figure out what is the cause and effect of the current situation of that country and the American sense of salvation. Maybe it's just a mess. In fact, the realism of a war reporter makes me both yearn and fear. This profession also makes me look forward to it, but the cruelty of war will not be any different because of reporters. The "war" of the Four Horsemen of the Apocalypse in Good Omens is indeed aspirational Incomparable, whether she is an arms dealer or a war correspondent, she has red hair and is named after words with red meanings in various languages. She never pursues war, but only spreads hatred and chaos. Seeing that crazy war reporter's life-for-the-film film being pulled out easily, bit by bit, by the thugs - I can't find a better word - to expose, I have the feeling of a critter being hit by the sudden truck lights , thinking stagnant, at a loss. However, this film finally has a happy and even a perfect ending. From an American perspective, although these people have been saved, there are still many people who are still in dire straits. In fact, I always thought that Bol would choose to commit suicide after returning to China, like Minnie Huaqun, because everything they faced was very similar, but this film does not seem to be intended to explore the compromise and escape of human beings for inhumans. Maybe we It is more appropriate to think of it as a love story. Not a very deep or thought-provoking film, like The Babel, which lacks depth but reinforces the visual impact. above.
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