Ahhh too slow symbol

Pearl 2022-06-19 23:26:00

1. Grandma/Mother/Daughter

1. A blue calm grandma, who draws eerie pictures and explains her life experiences in a sophisticated and abstract way.
2. Yellow mother, light yellow and identified yellow, enjoy food and furniture.
3. The red-pink girl, a bottle of ketchup that was knocked over on her chest made her panic. The pink color continued to thicken with the film, and finally the newborn's red blood forced her to tears.

Strange and exciting: three women of three stages live in the same way women of the same age in a story that describes a dream in a communal apartment with a blue pool. The mysterious grandma finally gave birth to a dead baby, the dream came to an end, the last two empty chairs in the film, it seems that the mother and daughter are going to send the grandma away.

The whole film constantly changes the colors of these three women with long-term overlapping waves, coupled with the scattered sound beats with almost no leading motive, showing the reality of dreams and the only way for women to pass. The director of Aya Too Slow tried his best to render the mystery of the blue grandma in the film. The pictures without language explanation are slanted and squinted under grandma's pen, and all the pictures are in public places, and even the decoration on a wall is from grandma's pen. , does grandma want everyone to see her heart? ! The content of the picture is so evil!

2. The mother/daughter The
mother and daughter are quietly changing their identities. The amnesia caused by the daughter's suicide completely reversed the roles of the two, and after the reversal, we also saw the daughter take off pink for the first time and put on Wearing bright red clothes, the plot changed from the slow rhythm before to the subsequent climaxes, and my mother became a weakling.

3. The only obvious positive communication between grandma/mom
and mother was the scene in the hospital after the daughter committed suicide. Grandma's face became two grandmas due to the reflection of the mirror, and mother also reflected the two grandmothers in the mirror. head. Even so, grandma and mother just completed the similarity and consistency of the composition of the shots, and there was no direct dialogue and eye-exchange. But for the daughter's suicide, the results of their expressions were the same.

Fourth, the only man
This man is the husband of the grandmother, the first lover of the mother, and the second lover of the daughter.

5. Pink/cool yellow/light blue
"——": become.
1. Pink-red
2, cold yellow-yellow
3, light blue-blue


six, and dream
three women of similar age became such a relationship in the last scene of the film. The dream is a pretense. In the film, does this structure mean that the process of a woman's understanding of the world is red-yellow-blue?

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Extended Reading

Three Women quotes

  • Dr. Maas: No. I do not think this was a simple mistake. The chances of her making up a Social Security number exactly the same as yours are very slim.

    Ms. Bunweil: She maliciously gave me your number when she filled out her W-4.

    Millie Lammoreaux: How could she have? I didn't even know her then.

    Ms. Bunweil: Don't get smart with me, Lammoreaux. You can't fool me. She told me she couldn't remember her number and was gonna write home for it, and, like a fool, I believed her.

    Millie Lammoreaux: So maybe she forgot to do it and just gave you mine instead. She didn't mean anything bad by it. I don't know what makes it such a big deal. She's just a little kid.

    Dr. Maas: I'll tell you what makes it such a big deal. I do not want any discrepancies in these records. I do not want government people coming in here going through these books. I think Rose did this on purpose.

    Ms. Bunweil: I didn't trust her from the very minute I first laid eyes on her.

    Millie Lammoreaux: She never did anything wrong on purpose. She's just scared of you, that's all. Then she almost died, and nobody even cared around here. You're the bad ones, not Pinky. All you care about's your time clock, your money and your dumb books. Well, you don't have to worry about any Social Security numbers anymore, because I quit. It's a horrible job. And we don't need it. Neither of us.

  • Millie Lammoreaux: All right, Pinky. How come you stole my car? Pinky?

    Pinky Rose: I didn't steal your car. I borrowed it.

    Millie Lammoreaux: You did not. You didn't even ask.

    Pinky Rose: Couldn't find you.

    Millie Lammoreaux: You didn't try very hard.

    Pinky Rose: I tried hard.

    Millie Lammoreaux: You did not. You could've at least told Doris or Alcira of somebody. Who took you there to go in and get my keys?

    Pinky Rose: Tom.

    Millie Lammoreaux: Pinky, I had to call the police and everything. They're sittin' in there right not waitin' on me. They think somebody stole my car.

    Pinky Rose: They're sittin' in there, huh? Well, aren't you the lucky one?

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