But today's mainstream is American culture. Americans are not ashamed of this. When the young gangster sat on the sofa with his arms outstretched and his legs crossed, I didn't think anything was wrong with the peaceful evolution. On the contrary, the boss Freddie's sitting position is very girly: twisted half body, although he was arrogant at that time.
The gangster took off his suit and started hacking people. Brits would think there's some sad dark humor in it. When Patrick Bateman in American Pyscho put on a raincoat and started hacking people, Americans thought it was absurd black humor.
The gangster took off his suit and started hacking people. The British would deliberately use the camera to capture the youthful, youth-specific body, revealing a hint of ambiguity. Bateman in American Pyscho shows his naked hormones in front of the mirror without hesitation.
The little gangster screamed to himself from the bottom of his heart, with white teeth and red gums, hysterical to the point of terror. Bateman stared at the other party's perfect business card in a daze, angry but not hysterical. At this point, it seems that the British have been repressed for too long.
In the end, if Americans made this film, they would probably end up with that mirror shot of Citizen Kane, making the protagonist stubbornly stubborn. Thirty years of narration makes people mistakenly think that this is another godfather: he finally got the status of a legitimate business.
The British with a clear concept of hierarchy will let him take off all disguises and stare desperately at the other side he can never reach. Even the only youth he once had is gone.
The British are really artistic.
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