At the beginning of the film, she said to the priest: I have many evil thoughts, should I repent for this? Side profile, gives me a strange feeling. At the end of the film, she faced the ugliness of the principal, raised her head and wept. The proud look is mixed with sadness. For the fiamma who died, for the G who left. Also for your own growth. From her follow and capture of G's figure, yes, she is at least obsessed with G. It was an interesting corner that the girl found unintentionally in the face of the boring campus. So far, she was obsessed. The thin figure, the gorgeous dress, the poetic language, and the sharp enthusiasm all made her sink. Even if it is pointed out that those stories are actually copies of best-selling novels, even if the cowardice of the idol who never moves forward with endless swimming training is exposed, even if she sees the unbearable truth through the crack of the door, she still said sheltered,' That's what G experienced firsthand, she was fearless and sincere ''You made G miserable.... Collective joy.....''It was she who seduced G'..... Ignorance and stubbornness. This is youth. I do not know what to say. But I always feel that the emotional line goes something like this: Dai likes G, G likes Fioma, and maybe Fioma likes Dai. Can't help but say. I think that although Dai has been imitating the style of idol G, she brought her own style when she was a teenager. At first I felt like a ruffian king. Later, she felt that she was the guardian of the rules. Although many times she wanted to destroy these rules and regulations, her weakness was G. So, from the beginning, she was Fioma who looked at the 'invasion' with cold eyes, and faced the latter's aristocratic taste as 'tit for tat'. have to say. Fioma is a temptation. Elegance, indifference, youthful enthusiasm, and at the same time, she maintains her own style of behavior. She does not round the edges and corners to adapt. She has principles that cannot be violated. leaving is also necessary). In the face of Dai's rejection, while maintaining his arrogance, tears flowed down his face. In the face of Dai's crying reproach, Dai's silent 'We all want to go home' no longer refutes. Faced with Dai's proactive and friendly cues, say 'I can try it for you, but it's not a commitment'. Faced with Dai's twist on the fact that he was insulted, weeping and shouting 'you know what this is all about'. By the way, at Midnight Feast, she looked at Dai, who was doing her makeup seriously, and her eyes were tangled + sweet. Must say. G really caught my eye when he came out. Indeed, she was the equivalent of a seductive poppy in the withered grass in the gray school. But, remember, poppies. A language as beautiful as poetry. Enthusiastic and motivating words of encouragement. A casual adventure. The most important thing is to keep repeating that the strictness of your life is 'meaningless and sincere'. So, she confuses a group of nympho, so she controls the girl's heart. So, she was filled with a sense of security. Facing those fresh and youthful lives, she felt that she was a king. When I talk about whether or not to travel again and again, my heart is craving for such comfort and the controllable status quo that has been painstakingly managed. Facing the headmaster's "You've been here for a long time," she immediately fell silent, looking like an old woman with no trump cards at the gambling table. The insight she faced with Fioma was just an escape from cover. When facing the swimming team's desire to participate in the competition, he completely forgot what he said to the students, "desire makes your life", and showed his true colors without preparation - fear of challenge, fear of failure, fear of all unknowns that cannot be controlled. Walking on the street, she is completely different from the G in school - she relies on chanting words to distract her attention and resist her inner fear and panic about society. In the face of the man's whispers behind him, he was at a loss and even couldn't bear the man's budding conversation and fled. If only that was the case. Damn, damn it, she can no longer maintain this balance between true and false - the dreamy princess Fioma appeared. Fioma was like her ideal self, no, just the other self she thought and longed for. Therefore, she is confident and self-motivated and deceives herself that Fioma will definitely belong to her, just as obsessed with herself as Dai's. so. I wonder if she is a beast waiting for prey at Midnight Supper. It's just that she is a pitiful and hateful person who can only indulge herself and dare not bear it. In order to preserve oneself, to preserve one's mystery and profoundness, to preserve what one has. She directed everything and led to Fioma's death. Maybe I'm too naive. Or bystanders can't feel the same after all. When I saw what Dai saw through the crack in the door, I thought Dai had awakened. Unexpectedly, she just found herself a wonderful reason not to destroy the past but also to explain the present-everything is Fioma's fault! It was the love of G that made her lose her reason and put too much hatred on Fioma. Finally, the frenzy is followed by fear and ignorance in the face of fragile life. When she returned, she saw the stunned expression when she saw the truth, and then looked at G's fierce and cold eyes. I can only comfort myself and say, child, the price of your growth is really expensive. It's also a loss for the director to be worthy of the audience. It didn't allow Dai to be persuaded by the infatuation again. After crying bitterly, the truth is revealed. (I really exhaled when I saw this) It should be broken. The clean up clean up. G said 'Do you think you can be forgiven this way?' She replied 'I never wanted to be forgiven'. That cynical look. Spike. Life has only just begun. Touched that she did not give up 'fearlessness and sincerity' because of G's hypocrisy. So when she held the perfume in her hand and pressed Fioma's book to her heart. I forgive her.
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