This movie is very good. Not very famous though. Many scenes are quite shocking. Nor is it that ordinary contemporary war films blindly attribute the blame to the Germans.
The little boy on the train shot the mayor who was cooperating with the Americans, the German partisans who were hanged for resisting the Allies, the Americans' control and maneuvering over Germany. All of this is generally not involved in World War II movies. From this I can see that Europe, especially the Germans, has always been disgusted with the Americans. Who is the real justice?
Germans also sacrificed for their country and nation. As the German lady said, they sacrificed for their country, but fell like criminals.
Piper said that history is written by the victors.
In this world, there are only the strong prey to each other, and there is no real justice and justice. China's Zhuangzi said that there is no absolute standard of ethics in the world, not beauty and ugliness, and those who steal hooks punish those who steal the country. Not the same irony. Why do human beings put so many beautiful labels on themselves?
Halfway through the film, I couldn't help but post a review. It can only be said that this film allows people to truly examine human behavior and history is very in-depth, or ordinary films do not have such courage.
Americans are actually very smart, and the Germans admire their idea of controlling and destroying German post-war resources. The American colonel who let the criminal Jew in turn prove that the German businessman was a good man was also very surprising. Americans are still so pragmatic today. Compared with the Nazis, it is more direct.
The technique of the film is also unique. It starts with a large section of hypnosis and railway tracks, and the whole film seems to be a lot of illusory and realistic, alternating black and white color. But I feel that this method is not messy, and can reflect the behavior of that society and human beings more holistically. For example, the German teenager who shot and killed a German traitor (the mayor appointed by the Americans) was realistically colored, and he calmly faced the submachine guns of the American military police, who were film-style blurred and black and white.
This kind of film is good, it will not make our thinking too superficial and formulaic. Perhaps, the truth of history itself is like that, various shades, it will not be a label color.
I have seen similar films, and one is Europa and the other is the Vienna Express in the Czech Republic.
And the black-and-white tactics of Soviet-style films, including those used by the Celestial Empire, are actually political films, a manifestation of the policy of ignoring the people. It is also an insult to history. If this is the case, we will always have to look at the world in a simplistic way as a child, and will not learn to understand and understand more realistically. The world may be uglier and more obscure than we think, but maybe this is the real world. , I like this subversive reflection angle, which makes people have a kind of heart-warming shock.
Perhaps, those losers are equally admirable. It is a pity that human beings are always subdued only by power, which also determines that their own thoughts and spirits are subtly controlled and used.
Boggs said well, although Germany failed, and suffered all the guilt and humiliation of the war. pain. But they have completed their historical mission. This may be their fate, and the Germans did not escape their own fate. From this point, Boggs said, perhaps Hitler wasn't completely unreasonable. It may be wise to say this from an Argentine writer who hates Nazis and pro-Germans.
It is the real shame that escapes fate.
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