After watching several Fassbender movies in a row, all of them mustered up the courage and made a certain psychological preparation before watching them solemnly. Fassbender's films are not something that ordinary people can watch, let alone enjoy in their leisure time after dinner. "Satan Strike", "Fox and its Friends", and this marriage movie are all representative.
"Love is the most sophisticated, cunning, and most effective tool of social oppression," Fassbender once said. This is what I thought after watching "The Fox and its Friends", and Fassbender also used that movie to explain the true meaning of this sentence very accurately and clearly. I remember this, but how many people can really understand what it means? In both films, Fassbender unceremoniously expresses the desperation of love, or the hypocrisy of love at all. The movie "The Fox and its Friends" has simple and clear lines, which can be regarded as a representative of Fassbender's popular plot. To put it simply, it is a story of an infatuated fox who was deceived by someone, or rather his so-called love, and was finally murdered by trumped-up love. Fassbender expresses his desperation for love through movies from time to time. I think this is already to give face to the so-called "love". Lu Xun once said: "Love is something I don't know." I can't tell others not to have any hope for unwarranted love information, otherwise you will pay a more cruel price than Maria. To put it aside, I still think this is a matter of self-pity: if you believe it, you have it, if you don't believe it, you don't. But since I won't shake other people's loyalty to love, I can speak my mind with confidence. There is no "love" in my dictionary. I never knew what love was. The more I grew up, the more I found that people around me devoted themselves to the dire straits of "love" without hesitation. I was puzzled. I don't know who made up the word "love", and for thousands of years, men and women have been involved in it recklessly. It seems that this is more sacred than anything else. Love is something that does not exist at all, only marriage and life exist. Some people do not understand, can not accept, some understand, but still can not help the temptation. Fassbender's words are not too serious. In fact, it is popularly said that love is an extremely dangerous and indifferent thing. The cruel thing is that it is also wrapped in a layer of sugar coating.
Maria is a tragedy, but also fate. Maria was played and applauded back and forth by several men. In fact, it was the love and marriage in her heart that was leading her by the nose. In fact, after watching a few Fassbender films starring Hannah Schulgula, I do get more and more interested in this pretty (among the oddly shaped German women), plump, feminine opposite sex. Interest, especially the big charming eyes on that sensual round face. While I appreciate this actress more and more, it's hard to accept her approach to role-playing. Hannah also seems to be somewhat similar to the characters in the show in life, and as far as I know, she is the most important of the many women who pursue Fassbender, and Fassbender is also known for his consistent love for women. A loving and abusive style treats Hygula.
There are not a few women like Maria, who can get along well with all kinds of men. As long as she wants, she can make any man her follower, her boyfriend or husband. She can deliberately keep a distance from a man, or she can throw herself into the arms of a man at any time, showing her coquettish coquettishness. The tragedy of such women is doomed. Women who think they can flatter men, control men, and even climb on the shoulders of men to realize their beautiful vision can only accept the ending of being played and applauded by men. When the black officer Bill and her husband Herman started, she didn't hesitate to smash Bill with the bottle; after dinner with Oswald in the evening, she said directly and without excessiveness that I was going to sleep with you, and then the first The next morning, he said to him indifferently, "Last night I was the Maria Braun who wanted to sleep with you, and today I am the Maria Braun who wanted to work for you". This woman is not easy.
At the end of the movie, watching Maria running up and down in a black erotic one-piece (I don't know what it was, I didn't wear it) to prepare food and bathe for her husband, I knew it must be the director again The opposite ending is laid out. When Herman raised his head to hear that half of Oswald's fortune was his own, and that the black-box deal with Oswald had finally come to fruition, I noticed a strange smile on his face. In fact, he was using his eyes. Smile, but I know how happy he is in his heart, and the real contentment often appears calm on the outside. In fact, Maria and Herman can let go of the past and live together in wealth and happiness, but this fact is a big lie to Maria, and it just slaps her in the face. In an instant, the beautiful dream that I painstakingly weaved for myself collapsed, and the tragedy came naturally. During the period, I was deeply impressed but extremely puzzled - "Only the great love possible can respect the great love of others". Unsolved so far.
The ending of the director's design echoes the beginning, which is quite meaningful. The whole chapter came to an end with the sound of "It's all over! It's all over!"
Tragedy is doomed to love.
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