Er Dongsheng I first watched his movies when I was in college. Of course, in high school, the conditions were not allowed. There was no computer and no time. It seemed like it was night in Mong Kok. It's just a more beautiful vase, the acting is jerky, the emotion is insufficient, and the tension is not enough. To use a popular phrase now, it has no aura.
Let’s talk about what I think is wrong. First of all, the protagonist, Jackie Chan’s face, is really not suitable for playing such a big brother in the underworld. He is the sadness of a stereotyped actor. It is good to act in a movie for many years, but the wrong is to let the audience. As soon as you appeared on the stage, I immediately felt that he was an omnipotent martial arts master. Besides, his literary drama was as poor as ever. I think it should be played by actors with a wider play, such as Tony Leung Ka Fai, Wu Zhenyu, oh, and Huang Qiusheng are all veteran actors with a wide play. Any one of the three of them should be more serious than Jackie Chan. Big brother is much better. The other two heroines really don’t want to waste pen and ink commenting. Fan Bingbing is still a vase. Even if this character is drawn, it will not affect the whole. conflict. As for Xu Jinglei, she always has the bitterness and hatred of women being oppressed in the old society. Since the first movie she starred in, there has been no breakthrough.
Let’s talk about the topic, the feeling of powerlessness in control refers to things that you can’t control. You have tried all your strength to fight to the death, and naturally it seems powerless. This is the case with Jackie Chan, the character Tietou has more literary dramas than martial arts, and more inner dramas than action dramas. It's like grasping Tietou in the temptation of power, but he also wants to maintain a trace of pure psychology. With Jackie Chan's literary and drama level, he naturally cannot grasp it. The most quintessential, morally speaking, I can't help but admire Jackie Chan. At such a young age, under the pressure of young people in the entertainment industry, he dared to challenge himself and dare to change himself. This is a young man in our twenties like us. are difficult to do. But on the other hand, for the perfection of the whole film, Jackie Chan is very powerless to control.
In addition, the powerlessness of control does not only refer to Jackie Chan. In addition, Er Dongsheng's control of this kind of gangster epic movie similar to the godfather level is also insufficient. The script and story are both excellent and imposing. Such a fierce horse cannot be tamed by a mediocre knight. After reading a lot of comments about this film, I summed up in four words, anticlimactic. The first half is really refreshing, but after that, I don't understand. Bai himself can completely give the boss position to others, and he and Lili can fly high, but Tietou is reluctant to leave, why? There is a line in the movie, what can I do there? It was obvious that Tietou was unwilling to give up his power. What a wonderful place, rich, powerful, and old lover.
The biggest highlight of this movie is Ajie played by Wu Yanzu. This role completely subverted my previous view of him. The first half is pitiful, and the second half is self-defeating, which makes people love and hate even more. Wu Yanzu's grasp of the role has really reached the point where I can't be picky. Even if the best actor in China is cast, I don't think that's the case. If he doesn't win the best supporting actor again, it really doesn't make sense.
The director shows a lot, that power breeds desire, and desire breeds betrayal. Many small details also show the good quality of the Japanese, and the garbage needs to be sorted. I really hope that China will take care of the environment as soon as possible.
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