overflow of lust

Gladys 2022-03-21 08:01:05

As far as this film is concerned, it would be more accurate to add "middle class" before "overflow of eroticism". Since modern times, there have been too many images of middle-class women like the heroine of this film in literary and artistic works, but the atmosphere of the works and the author's attitude towards such images are different, or maybe the opposite.
There is a kind of contradiction in people, that is, they want to be able to foresee the future - if they can foresee the smooth and peaceful life in the future (this is the most common blessing), then the current state of mind will be much calmer, but once people fall into the same situation, day after day This kind of smooth and peaceful daily life will be unbearable, so there is an impulse to break through. More than one movie has a line like this: This life with a one-way view is unbearable because I see my own grave.
The impulse to break through comes from the overflow of love, from the longing for the unknowable world, from the limited life's yearning for the infinite world. In the 19th century, European Romantic literature's relentless glorification of Gypsies reflected the deeply repressed Christian/capitalist world's vision of a pagan world.
Back to this film. I seem to have seen a few of Nicole Kidman's films before: "Moulin Rouge", "Island Cry" and "Every Moment". What is more valuable is that the images are different, and there is no similarity. The little middle-class woman portrayed in this film is quite different from the image in the above-mentioned film. It should be said that this is also the best appearance of her I have ever seen, with a fresh feeling. But it is behind this fresh feeling that a restless soul is repressed. A stable life, a capable and considerate husband, a lovely child, what is there to be unsatisfactory in such a life for ordinary people?
The person with hirsutism is just a symbol in this film, in sharp contrast to the daily life of the heroine. This is always the case in daily life. People stick to the rules and regulations, adore vanity, and cover up their inner desires with the coat of civilization. People don't have animal skins themselves, but the clothes made of animal skins can make women proud - but when people see a man with animal-like skins, they don't have the courage and courage to accept him. Belly volume.
But the presence of this man just provided Diane with an escape from everyday life. Everything after that doesn't matter. Let's think of the story as a middle-class woman's runaway story, like Ibsen's Nora.
After watching this somewhat depressing film, my thoughts are, in fact, the life of the middle class is quite good. Isn't this what most ordinary people yearn for? Don't criticize it later. In fact, I also yearn for the middle class.

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Extended Reading
  • Velda 2022-03-27 09:01:22

    Nothing to say, I like Diane's style very much, but the film is very average,

  • Palma 2022-03-21 09:03:31

    Weird film...Because the film I watched was not discounted...I have been entangled with the microphone, which led to the drama when I watched it...To be honest, I really didn't quite understand what the director wanted to say with such a BT story. ..

Fur: An Imaginary Portrait of Diane Arbus quotes

  • Diane Arbus: What is it?

    Lionel Sweeney: Well, every month or so I'm able to breathe about five percent less. My lungs are disintegrating. It's getting harder and harder for me to breathe... deeply. In a matter of months, I'll drown without even swimming, because there'll be nothing left... of my lungs.

    Diane Arbus: You're not dying.

    Lionel Sweeney: Yes, I am.

    Diane Arbus: No, you're not.

  • Lionel Sweeney: [holding an inflatable raft] I blew this up for you.

    Diane Arbus: Why did you want me to shave you? Hmm? Why?

    Lionel Sweeney: So I could swim out further.

    Diane Arbus: Swim out?

    Lionel Sweeney: Yes.

    Diane Arbus: What are you saying?

    Lionel Sweeney: [he struggles for words] That I want you with me.

    Diane Arbus: What?

    Lionel Sweeney: Diane.

    Diane Arbus: What are you talking about? You want me to watch you die?

    Lionel Sweeney: I want you with me, that's all.

    Diane Arbus: But is this what you did? Made me fall in love with you to watch you...

    Lionel Sweeney: I don't see it that way at all. I love you.