Of course, what the movie is going to talk about is far deeper than "they live happily ever after". Forgive my vulgarity, I'm just used to seeing the heart-wrenching story of two people in romantic dramas, not the heroine Give your acceptance speech like you did at the Oscars and remember your dead husband. Although he is an ideal man, he is not an ideal husband. He trained Sally from a blonde with no concept of news to a nationally renowned anchor, interviewing news, they are the golden combination, the best partner, Sally can only achieve the best performance under his guidance, and he is for Sally Abandoned Miami, where he was at his ease, and went to a world where he could best realize his value and his dreams.
If one of the protagonists in a movie dies and the other lives, it's usually a good guy who dies and teaches the other the truth about life. I always feel that living people are so cruel. He/she seems to think that living well is the best comfort for the deceased under everyone's hope. If the dead is still alive, he/she must also hope that he/she will live well and so on. Many years later, when he/she and the next lover get together, they can still miss the good person who died together, as if it was no longer love. This is undoubtedly true, but I still feel that people who are alive are so cruel. Meeting good people is like taking a lesson. They either teach you how to use a knife and fork or teach you how to be a big star, but none of this seems to matter. On the podium, what you achieve is yourself, when you first arrive in this city Confused girl. And your deeds will give countless ignorant girls fantasies. They fantasize that they also have the potential of star and meet good people with discerning eyes. Of course, that's another story.
I previously wrote a review on Lover's Knot titled "A man's waiting is a legend, two's waiting is a love legend". Now I want to say that the death of one person is a legend, and the death of two people is a legend of love. As long as we can stay together, it is love.
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