Huang Zongzhan played the depth of field so skillfully that he was definitely comparable to Citizen Kane's Toland. The lighting is equally invincible, and you won't be able to see the protagonist's face on the street at night. There are also smooth moving and stationary long shots, which are used for pushing rails, move when they can, and stop when they need to stop. Who wouldn't give him the best photography award?
Praise again to my beloved Melvin Douglas, who won Best Supporting Actor for his role as old Banon. It was his first Academy Award nomination, when he was 63 years old. It's what another old man said you gotta be old enough, you can be new again.
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