The protagonist left the platform, and a female passenger happened to pass behind him. At this moment, another bus entered the mirror from the left. The bus passed through a column on the platform and then walked behind the protagonist. The angle at this moment is OK. Perfect concealment will produce a mirror reflection on the glass door of the bus that has passed through. After that, the bus moves to the right, and the female passenger meets and hugs her boyfriend, again perfectly concealing the terrible reflection. After the bus comes out from the right, the camera pans to the left. Another bus approaches. The hero turns his head and looks around, stepping across the road quickly. The position and driving angle of the bus can ensure that the front windshield does not reflect any camera. The picture taken. 00'28″The leading actor walked to a position near the waiting room, and there was a stalker on the nearby column. At this time, the camera should focus on the nearby to make it easier to see the stalker besides moving horizontally to the left. However, there is a little rush here. Slightly slowed down by half a shot, close up a bit out of focus, and the lens moved a bit faster, but the director's arrangement is not ruled out, because the rapid focus conversion is not too technically difficult for modern equipment. After that, the hero passes through a large glass door. In the waiting room, this lens is very terrible. The lens is in the distance. However, when the lens is panned to the left, the reflection on the large glass door is bound to be seen. However, a miracle happened. A lady with a backpack just went out to complete this perfect The camera pans to the left. Then the protagonist enters the waiting room, but there is glass between the two deadly compartments in the waiting room. The director is very clever. He made hands and feet in the scene on the left because the camera never moved to the left again. With a slight movement, it can be inferred that in the invisible area on the left, there are some supplementary light used to reflect the feeling of natural glass at the top, and all other lights are blocked, or there is a black cloth covering all the scenery in the entire middle and lower area. The result was that the glass reflection almost disappeared, but at the moment when the protagonist, the glass and the camera were approaching, the director arranged for two passengers to walk by for the sake of safety, but at this time the reflection in the glass was almost insignificant, and then the protagonist I have to take a big step out of the waiting room door. The door is of course glass, but the direction facing the camera at this time is almost backlit, so there is nothing to worry about. There will never be any reflections that can be seen. 00'46″The protagonist goes out. , I looked up at the sky and saw an airplane flying by. At this time, the camera made a 90-degree circular arc movement, but it was actually a circular arc movement with a larger moving arc radius, with a slight elevation angle. At this time, the photographer changed his focus. , Yes, it is a zoom and moving lens (Trans-Trav) to ensure that the right-panning lens is facing the glass door of the waiting room, and then a zoom is pulled to the center when the camera is panned to the right. Jing, of course this safety first director It was arranged for a passenger to walk to the waiting room to slightly cover the glass door, but from an angle, it was completely impossible to see the reflection of the penetrating in the glass door at this time. 00'56″ The protagonist walks to the right and the camera pans to the left at the same time. At this time, there will be a stalker behind the close-up stone pillar, but this time the focus is simply impeccable, and the time control is very precise. It can be determined by combining the previous situation. The camera must not have any programming and is completely controlled by the photographer. 01'02″ Some young people gather at the far end of the screen where the protagonist is passing by. At this time, there is a quick Zoom zoom in. Of course, you must also focus at this time. These young people have played a role. The role of saving the picture in case of loss of focus. 01'05″ The protagonist turned his head, the photographer quickly circled the protagonist again and made a 90-degree orbit, and then the camera moved back, and then turned left (backward), in short, followed the protagonist closely, the synchronization is quite good. The protagonist in the single frame is quite clear. 01'21″ When a car honks on the right side, the protagonist turns his head and takes the audience's attention away. Because the photographer is going to get on the elevator, there may be a little bit of picture difference. Stable, but it’s worth admiring that this lens is very stable. If it weren’t for the sudden lifting of the lens, it would be difficult to find that the protagonist and the photographer had already got on the elevator together. Afterwards, it can be found that the orange-red tiles on the right end of the picture are completely matte. There are two possibilities: one, luck meets the old subway station tiles not very bright; second, the film crew sprayed a lot of hair spray in advance. Of course I prefer the latter, and it is all the tiles in the entire subway station, because after the right swing, there will be a large tile, which is completely matte, and almost invisible to the reflection of the top lighting, if it is. , So the amount of work is huge, at least 50 bottles of hair spray are needed, because it’s almost impossible to make hands and feet from the lighting inside the passageway down the escalator. The top headlights have a clear view, and the vertical space is narrow, although there are many stone pillars inside. But it is still relatively open, so it should be a good general photographer designed the whole scene. 02'07″ After going around for a few times and completely stunned the audience, the fight started. The fight is still in the middle and close shots and the panoramic view. The interior is unobstructed. It is estimated that there are at least 3 directors and assistants behind the photographer’s butt. And it is very likely to follow forcefully from the beginning. At this time, recording is estimated to be impossible, so now recall the previous scenes and shots. How powerful this three-person team without a radio operator is, plus a powerful post-recording. The team, otherwise this paragraph is impossible to have a voice in life and death. After that, I won’t talk about the rhythm control of this fight. It is already strong enough. At this time, the rhythm of the action design is not enough in the face of powerful scene scheduling. In the end, the shot of the flying knife inserting the person ended perfectly, and the protagonist who had finished catching the turtle in the urn ran out again in the same direction that he came in.
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