Ethnicity, politics, and even Freudian psychology, you can write about this film from any angle, but I saw a grand theme of life. Even in the turmoil of war, I did not forget to insist on romanticism. .
1/ Undoubtedly the most beautiful thing in this film is the music, gypsy folk music, symphony, mixed with the chilling gunfire, which is a combination of war and utopia. I think that if Luo Zhanfeng were to write it, it would definitely be very eloquent, but unfortunately I can only say "good" and "very good" in a superficial manner, because I really know very little about the attributes of music and individual genres. (Hungry for the analysis of the music in this film)
2/ Sabah and Luka are lying in their respective rooms, but they both have their eyes open, just like Fan Liuyuan and Bai Liusu in "Love in a Fallen City", In a luxury hotel in Hong Kong's Repulse Bay, they each had their own rooms, separated by a wall. This is the most delicate time between men and women. It is obvious that they can have physical contact without any scruples, but they also pretend to be reserved because of moral and conceptual constraints, which is a kind of hazy heart. What is more vivid than "Love in the Fallen City" is that when men and women are embarrassed, the cats and dogs at home are unusually active, which is why "Allure" can be called a literary film, while "Life" does not belong to this category. Literary and artistic things are more pure. Obviously, Kustu Lika prefers fusion. This is also the difference between Zhang Ailing being a literati and Kus Tu Lika being a director. Maybe the director is more tolerant than the creator.
Nonetheless, there is one place I inevitably associate it with Allure. If it weren't for the sound of gunfire, Sabah would not have gone to Luca's room, at least there was no reasonable excuse to satisfy his desires. The theme of "Allure" has always been: the war unreasonably fulfilled the white tassels. The promotion of external forces fulfilled the two embarrassed men and women, making the two films coincide.
3/ In the early spring of the Balkan Peninsula, the rolling hills and gentle slopes are covered with yellow and light green interlaced colors. Clothes are hung on thatch or branches, running all the way, picking up things all the way, and returning home with a lot of sun-dried and fragrant clothes. , this taste is the joy I can feel even sitting on the bench.
If it is said that the plot of the film was not understood until later, I forgive my ignorance, but I have no choice but to enter the state too slowly, but what has always attracted me is the picture, and there is a surreal romantic mood in his works. Half-naked Sabah and Luca roll on the grass, overturn the thatched piles, play in the water, eat watermelon under the waterfall, naked and not pornographic, when the cut watermelon floats on the flowing water, the world changes The "mixed-blood" state that is separated from life but intertwined with it is the miracle created by Luca and Sabah day and night.
4/ Zadranka is a lovely woman, she has been determined from the beginning, she is crazy, she is crazy, but she is not relaxed at all. But for a woman, her key point is to be optimistic about her husband. Therefore, she is very sensitive to the sudden addition of a Sabah in the family. The hysteria that followed was to be expected.
But I've always liked the way she was crying and eating pie, so pitiful, and she told us "the whole world is a theater" by Shakespeare.
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