What I like the most is the male actor's control, the volatilization rhythm of energy and the propulsive interpretation of tension are just right and precise.
The power of control also lies in the director, without deliberately seeking plots, but with a sense of randomness permeated like a Chinese painting, about growth, life, confusion, and straightforwardness, but there is no preaching.
I'm a little picky or the outburst at the end. I feel that the male protagonist's force is too much. If you want me, it's better not to cry. It's just that after the coffee is poured, the man and the woman look at each other and just hug.
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