Let me sigh first, just in terms of stories, in fact, Liaozhai or China has the most wonderful stories passed down from generation to generation, but why does our director only have the ability to visually convey it into garbage?
The most appropriate evaluation is that, in the 1960s, a film of a contemporary level was made, and the picture structure and rhythm, including the coordination of music, are all in the realm.
I think the first "Black Hair" in the story is the biggest shortcoming, and it is too simple and rude. The most powerful is the second "Snow Girl", which is concise and explosive at the end, and the middle is full of warmth and flow. When the beauty is depicted to the climax, Karan breaks. Its story, and life, how similar. The most creative part of "The Story of No Erfangyi" is of course the plot full of words on the body. As for the last "Man in the Cup", it is not bad, a little naughty, but there is no major addition to the theme.
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