I don't know these two legendary female stars at all, I thought they were fictional characters, but I remember supermodel Cindy Crawford in magazines when I was a child. When I saw Joan's bad-looking adopted daughter, my first reaction was Cindy Crawford. WTF? When I checked, of course it wasn't supermodel Cindy, and this drama turned out to be a biography of a real person.
The opening title of this drama talks about the meaning of "enemy", not out of feudal hatred. This is a good understanding. This is the starting point of authentic tragedy, not a second-class understanding of "tear and beautiful", but after reading it, I feel that the characters are completely Not established, these are two superstars who have experienced strong winds and waves. The sinister industry has long been familiar with the dangers of the industry. They met in the twilight of their lives. If they tear each other, it is only possible that they want to tear each other, and no one else can rely on them. The script lacks real insight, resulting in the main characters ending up being fake, if not stupid.
What is so touching about the novel "Baby Jane"? At first, everyone's motivation was to turn around. For the two heroines, this is enough to be the starting point. The novel fits their current situation and the subject matter is novel enough; for the boss Warner, it is also enough, after all, he shrewdly invested nothing; Director Bobby is not enough. He even mortgaged the house twice. What did he see? This novel was originally supposed to be the starting point for explaining the "enemy", a mirror, but unfortunately in this drama it is just a story line, allowing us to see all the noise during the shooting process, without any impression. The dilemma faced by the characters has turned the workplace desire of "turning over" into a battlefield documentary of "survival". The more you look at it, the more you want to roll your eyes at the two heroines. Whether it is a vase or strength, they are all spoiled mounts. If there is no mercy for a second, then why use the maid's mouth to blame others: everyone comes at the funeral, but no one is there when they need someone to accompany them most. This sentence is both unfair and cliché, as if anyone who died could say the same. Is there really no one? Even if they didn't, they brought it on by themselves. The two of them dragged the people around them into the fight, and they didn't hesitate to tear to the last breath, and no one had to leave.
This script is too thoughtful, I want to write a stroke from every angle, spicy, interesting, warm, tearful, as if to treat the characters with compassion, no, this is overflowing with compassion, just like everything that goes too far, Greed has overshadowed the original intention, and the two heroines who should be treated with compassion are not available, which is ridiculous and pathetic. There is an age limit for tearing and forcing, and there is nothing more disgusting than old women tearing each other. The most terrifying thing is Joan's seduction. Repeated seduction is repeatedly rejected. What kind of bad taste is this? In "Tian Long Ba Bu", Mrs. Ma of the beggar gang was so angry that she was rejected once. That is the reaction of the beauties knowing that she is no longer beautiful, and she can't wait for the second rejection.
Well-made, but the two heroines are horribly portrayed. Why didn't Catherine Zeta-Jones play Vivien Leigh?
I have heard of all the superstars mentioned in the play, but I have never heard of these two. I always thought that the vase symbol of that era was Hayworth. The real beauty will not be easily forgotten, maybe these two are plastic flowers, tearing each other, not a tragedy, but the essence. However, I borrowed a line of dialogue from the play, "So many rubbish pilot dramas have been selected, why can't I choose mine", so many high-profile and slanderous biographies have been filmed, why bother this time. Wouldn't it be nice to just follow the spicy comedy route of the first episode.
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