The Nesting of Dreams and the Perfect Application of Lacan's Mirror Theory. The image of the man in the dream at the end is also proved to be the mirror projection of the woman. Breaking the mirror person is the other who breaks the self, and at the same time, he is also killed by the male order. The mirror man is the husband, the love object who does not respond to the woman's call, and the projection of the woman's narcissism. The phallus is transformed into flowers and keys. The heroine puts flowers on her genitals during her lunch break to accept the temptation. The falling of the key indicates that she is in love. A woman is willing to be dominated and anxious after castration. When a woman returns home, she finds a knife stuck on the steps. The disappearance of flowers by the bed turns into a knife that exposes the intention of male aggression. When a woman walks, her forefoot falls on the beach and her feet on the grass symbolize the difficulty of exploring herself. The key turns into a knife, and the woman tries to resist the phallus who has her own. The whole film is nothing but anxiety about the virtuous devotee, blurred to the concrete, the narcissistic subject is not satisfied, and finally dies of anxiety itself. Under patriarchy, women cannot exist as real inward subjective bodies, and "self" can only be formed under the definition of others (mirrors), that is, women are externally controlled by patriarchy under the Phallus complex It is defined by the environment, and breaking this definition is also equivalent to denying the existence of the existing self, that is, losing the meaning of self and woman. The woman who died in the mirror that was broken by herself is the real beginning of the confusion. How to get rid of the old male social ideology and get the new meaning of women is the last question of the confusion.
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