Originally, the first half was just a setting where a father who had nothing new to do single-handedly searched for the truth to save his innocent daughter. After the reversal, it suddenly turned around. Unfortunately, it was almost a brushstroke, but it focused on the plot of the police coming to the house to search and interrogate. There are also various social issues and even small political jokes in the middle of the film, but unfortunately they are quite bland (but it is quite accurate to describe Europeans' imagination of the United States), it is still difficult to imagine that a liberal French woman will fall in love with at least one In redneck, the image is uncompromising. The female protagonist's friend asked the male protagonist if he had voted for Trump, but the director or screenwriter avoided the question and asked his character to say that he was not eligible to vote because of his criminal record. Unfortunately, in fact, there is a high probability Say, he will. The prayer of the male protagonist that appears repeatedly in the movie, I thought I would finally have a clear point of view, but unfortunately there is no. Its temperament is a little jumpy. It is better to depict French people in Europe. Once you shoot Americans, it is really normal. Overall, it will be 3.5 stars.
And the ending is quite bland. If the truth in the daughter's mouth can be believed, it is reasonable, but it is reasonable, and it lacks some aftertastes. The confusing ending was more in line with my imagination. All in all it seems that the film is still returning to the (no new) "Lost South" tone.
The one who likes this scene in the theater the most, I don’t know if the director and screenwriter’s stance on this case to some extent:
View more about Stillwater reviews
