On the eleventh viewing day of the dark circle, Polish female director Agnieszka Holland's work "Europe Europe". The film is adapted from real events, the plot twists and turns, and the character prototype of the boy appears at the end of the film, which is basically the Jewish version of "Alive". You can sort out the two pieces for an analogy, and briefly say a few points. The overall performance is quite satisfactory, and the emotional expression is delicate. It may be because the similar theme "Alive" gave me a stronger sense of cultural identity. Although this story from a Jewish perspective is well told and has enough twists and turns, it still feels a little worse after all. In the era of rapid changes, people ultimately rely on alertness and good luck to survive. People need to have a skill, which may be useful in times of chaos (the rich and the rich will play shadow puppets, and the boy can speak many languages). The belief of surviving is very important. When you can’t voluntarily say anything or do anything, you don’t need to learn. You will say things that go against your heart and do things that go against your heart. Practical religious practices (like circumcision) imprinted deeper cultural identities. The best scripts come from life, and the best performances also come from life. Living itself is a drama that is played all the time, but we are all immersed in the performance and cannot sit down and watch it.
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