Depression-era romantic comedy, the use of camera and music is very classic and expressive as an early sound film. I think the expression of "escape" in it is quite interesting: the American people in pain during the Great Depression go to the cinema to see the romantic dealings of two high-level liars and high society in dreamy Paris, everything is elegant and decent, even if it is a lie expose. In the end, the gangster and his little pickpockets took off their disguise and went on their planned trip. The audience escapes from reality by watching the beautiful dreams in the movies, but the beautiful dreams in the movies also seem to be the essence of sadness (Even if Gaston disguised himself subtly, he was destined to be out of touch with the upper class, and he could only choose to leave in a less respectable way, to leave and regain freedom. The expression seems to have a bit of Ah Q's spirit, but if you leave in a hurry to pierce the dream, it will not be trouble in paradise), and it is very interesting that the pair of liars played a noble in private at first, and poked each other like a joke, I feel that the audience is being ruthlessly connoted by the director, and entering the cinema is immersed in the fantasy of high society, which seems to be similar to the essence of real cosplay hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha?
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