It can be seen from the cast and production investment that India is making great efforts to create a big movie. Like Aamir Khan’s Indian thugs, it stirs up nationalism, and the singing and dancing scenes do everything they can, but it is difficult to hide the trend of Indian movies going downhill. This trend is generally divided into several parts:
1) The plot is fried cold rice: Basically, it is a rewrite of the natural couple. The heroine is married to a dull male hero because of satisfying the wishes of the dead. On both sides, the heroine changed from learning dance to learning singing + BBC style reporters made up stories and collected stories in the red light district. The heroine also repeatedly danced between the two sides of one body, and finally returned to marriage, basically in strict accordance with Hindu teachings. , but the plot is very far-fetched, far inferior to the natural pair, if you are interested, you can watch the natural pair, the plot can be said to correspond one by one, but it is much better;
2) Entrainment of illicit goods: The partition of India and Pakistan was the result of negotiations between Indian compradors who pretended to be revolutionaries and their British fathers, and the kalank became the result of a sudden crit by extreme Muslims who did not speak of martial arts, but even if they tried their best to describe it The lords of the Hindu ruling class are very noble, and they can't hide their comprador behavior. They introduced British steel mills, but they did not make arrangements for the reemployment of laid-off workers. If you are a state-run steel mill in India, at least the steel mills jointly owned by Hindus and Muslims also have some But it was hard to get rid of British steel mills, squeezed the living space of Muslim blacksmiths, and nakedly exposed the ugly face of the Indian comprador class. The private goods were not properly clipped. It was like trying to rip off other people's underwear, and the result was too much fun. , his trousers fell off, revealing red shorts;
3) Exposes the lewd face of the Indian ruling class, and the morality is confusing. If you rank according to morality:
A) The most beautiful woman has the highest moral character, the bottom Hindu girl, unconditionally loves the male protagonist, without thinking about herself, unconditionally paving the way for the male protagonist's love, the bottom dancer from Fireworks and Willow Lane, she is so selfless, she can be called India A model of female virtue, the result of more than 2,000 years of traditional education in India, but not even worthy of having an ending, only Madhuri's two drama lines;
B) The male protagonist and the dance god, the male protagonist wanted revenge, and gave up revenge when he didn't start much. The dance god also held the spirit of calming things down. It is better to have less than one thing, and reduce the damage to all parties;
C) The tool man, the heroine and the husband, tried to do every step well before the original wife died. The moral level is OK, but as the spokesperson of the comprador, he did a very good job, which is similar to the Kong and Song families in the Republic of China. Wonderful; these three categories are above the level of morality in the general sense, and they can all be called good people.
D) It is the heroine and the heroine's husband. The heroine's husband is easy to say. It is a typical disgusting person. The heroine is a hidden Mary Su green tea. The marriage itself is for Mane. Looking for excitement in the red light district, with the liberal spirit learned from school, the concept of love for freedom has been born, and a theoretical basis has been found for its resolute behavior. Pay attention, pay attention! ! ! The tool man's husband made it clear that you were unwilling or reluctant, and you can do whatever you want, but Mary Sue never said that she would give up marriage, never said face-to-face that she would pursue love or give up her current life, nothing at all. The movie really didn't work, so I planned to jump off the building twice in private, rest assured, I wouldn't jump a hundred times, and then used Alia's pure face to cover up the nature of green tea in the casting. It should be noted that if it is narrated by the heroine as told at the end of the movie, in the story, the heroine will definitely try to beautify herself, but it takes a long time to beautify herself. How far the characters will act in real events (if any).
4) Degeneration of singing and dancing. No matter how hard Fu Huadao is, it can't match the degeneration of singing and dancing. It can only attract the dance gods to support the scene. The plot is very interesting. It's amazing, a bit of a hungry marketing routine, and the player in the middle should also be a character, but it's not outstanding. This movie also has the common problem of big investment movies. The filmmakers dare not let themselves go. They are all kinds of hedging routines. In the end, there are only routines and no creation.
5) The new generation of actresses has degenerated too much. The older generation of dance gods, the number one beauty, Daiyu, etc., can't be counted; Mesozoic Deepika, Kafu, Shijie pyk, everything looks like acting and dance skills can be at least two, all of them need a good One, it must be orderly; the new generation is too stretched, Alia must be a good actor, she looks cute and dances well, but at least from my Chinese point of view, it is really not that amazing, but Alia has already Is it filmfare after three consecutive or four consecutive years, in the Mesozoic generation, the older generation, can achieve lifelong achievements, Ariana has 8:20 eyes and eyebrows, small stature, acting skills are good, dance The level of dance, it is okay to say cute, but it is the top card of Indian actresses, that at least shows that the overall level of Indian actresses has dropped very sharply, and has begun to become an internet celebrity. The new generation of actors, as a Chinese audience who eat melons, who tm cares about the new generation of Indian actors.
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