The first director has a stable output in terms of rendering emotions through the screen.
You can't go abroad due to the epidemic, and you can also miss it as a romantic movie about Oxford Town between watching dramas.
I have seen more British dramas about detective reasoning. According to the 13-year broadcast of this drama, I feel that the interpretation of the detective characters in other dramas in the latter part is somewhat "paying tribute" to the interpretation of the protagonist, including micro-expressions, body language, language conversation.
The first season may be expected too much because the progression of the plot, the description of the main murderer and the explanation of the finale are a bit far-fetched, like fooling the audience's cleverness: based on the first two-thirds of the promotion and motivation, the audience guess who It is the murderer, even if it is more reasonable for this person to be the murderer, the screenwriter I prefer to find another character who is the murderer, and finally round it up. Personally, I don't like this kind of work that conscientiously tells the story in the front and then tries to surprise people by showing off the ending. Dramas, including current domestic dramas, also have this problem. Most of the Korean criminal investigation dramas have a relatively stable tone.
Originally, I was about to give up the drama after watching the first season, but I bit my head and watched the second one. There has been a shortage of dramas recently, and there is no drama. The second part is showing signs of citing scriptures, and the third part, I'm starting to be interested. Personally, I like the first episode of the third part the most, which is based on "The Great Gatsby". It feels like Oxfordshire, the English gentleman and the protagonist, The melancholy of the police station has been drawn to the full, hitting the stone with the egg. The egg has experienced the pain of heaven and hell until the body and mind are exhausted. I just want to get that pitiful feedback, whether it is true or false, since there is no other request , How about smashed to pieces, how about a big dream, and the stone, after a heavy rain, was washed clean and unscathed, and continued to grow. Years later, the sacrifice of eggs is nothing more than a story of after-dinner talk, a stone and a glass of wine.
The food is still eaten, and the drama has to continue to watch.
I always thought that Jk was someone who was easily corrupted by underworld forces and eventually became a police officer. Every time I watched an episode at a meal, I always thought about "is he going to be darkened in this episode", "is he going to be exposed in this episode?" At the end of the second season, the screenwriter put on him an "audience sympathy hat", and the direct personality of the third season has been sublimated into a high-quality person who has the courage to sacrifice himself, the prodigal son, and the courage to take on family responsibilities to protect Ms's partners and hostages. Man, plus he is conscientious and responsible in his work, handsome and personable, I was caught off guard by this man. This is a surprise.
And Ms's emotional world, uh, how should I put it, as a female audience, I think it's a bit difficult to describe, can you not be emotional all the time, and the characteristics of the objects are quite diverse, with an ascetic appearance, suddenly a look is good . Who can bring him a brief sense of security, who can knock open his heart? It feels like the eldest brother has been walking Shen, at least I haven't seen anyone who really cares about him. That being said, he is not as good as Jk in this respect. And he always moves, although the reason for his move is clearly or implied in the plot, I can't help but wonder if it's also part of the screenwriter's side shaping of his emotional character, such as cowardice.
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