A series of Chinese stories made by a group of Westerners, obviously with strong Western values. For example, even if his grandfather is the American protagonist Ah Sheng, it is impossible to integrate into the American social environment so quickly, let alone flirt with American ladies, because he spent more than 20 years in the late Qing Dynasty in China, and his thoughts were imprisoned in the late Qing Dynasty. It was very serious. The thinking of the Chinese people at that time was very, very, very conservative and conservative. And China's Tangkou system is more like Japan's Yamaguchi-gumi and Taiwan's Sanlian Gang. Even these two westernized organizations are not understood in this drama. To sum up, Westerners do not understand Chinese national culture and Chinese traditions, so the production of TV dramas is very Western.
But even such a Westernized Chinese TV series still maintains those pure Chinese imprints, Chinese culture, and Chinese people. The most typical is the core link of this drama, "Kung Fu", seeing a Japanese and an Indonesian playing Bruce Lee's Jeet Kune Do and Chinese Kung Fu, especially in episodes 8-9 of the first season, when Ah Sheng was a teenager. The scene of practicing boxing with the master on the top of the mountain is something that most Chinese actors and film and television workers cannot capture. Although there is a huge gap between the two male stars' martial arts scenes compared to Donnie Yen, Sammo Hung, Wu Jing, etc., they are already quite good, and there is no feeling of dancing. In addition to the design of Chinatown, it can be seen that the crew is very attentive, because I saw the pickle jar, dried sweet potato and salted cucumber.
Another advantage is that there is no TV series that reflects the history of the Chinese labor "piggy" after the American Civil War. This seems to be the first one I remember. And there are very few episodes in which Asian groups are the protagonists in American dramas. What is even more difficult is that it reflects the historical situation at that time in a more objective way. All forces have their own just purposes, and they all check and balance each other. This is in the past American dramas, especially dramas or movies with historical background themes. are very few. More American movies and series are re-shooting the heroic deeds of individuals, individual families, and small groups. Even Mel Gibson's Patriots and Bravehearts rarely mention the historical context. Therefore, after laying the groundwork for individuals, small families, and small groups, coupled with the historical background, this drama shows more dramatic conflicts, and individual struggles are more exciting.
Finally, I would like to say that Chinese people’s sexual desires are not that strong. The Chinese people are the people in the world who value the relationship between men and women the most. Even if the dignitaries and even emperors in Chinese history go to weathering places, they are the only women they love. , and more cultural exchanges, not the same prostitution in TV dramas. Even if you like a lot of women, you will find a way to spend money to buy them home. What Chinese people can't stand the most is letting other men touch the woman they like, even if it's a prostitute.
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