When I saw the live-action version of Rurouni Kenshin by chance, I remembered this high-burning drama I watched when I was young. It seems that the focus of people in each age group is still quite different. Before I was immersed in the poignant love between Kenshin and Xuedaiba, I couldn't extricate myself, but now I don't have the throbbing that I used to look at (this makes people a little depressed and adds a sense of indifference, maybe it can be regarded as a kind of growth), It is more about the interpretation of the psychology and behavior of each character in the play. Among them, the one who impressed the most was Higu Kiyojuro, a man who existed like a god. "Watching the cherry blossoms at night in the spring, the stars in the summer, the full moon in the autumn, and the first snow in the winter, in this situation, how can you drink wine? After that, let's taste the beautiful bar together..." When I heard him say such words, I just thought the words were very beautiful, and the author didn't pay much attention to this person, which left me with an unfathomable impression. Looking at it now, I found the author's subtle ideas and ambitions. The reason why he didn't touch much was not because he didn't want to or didn't want to, but because he wanted to make him such a mysterious, cold, warm and compassionate saint with God's perspective. From the high-spirited son, to the cynical and persistent warrior, to the confused and kind wanderer, plus this cold and compassionate walker, the play has formed a perfect closed loop in the discussion of human nature, the pursuit of the meaning of life, and the description of the mental journey. This directly makes this show a god (at least I think it is a masterpiece). You can see through the world in one play, and tell the world's sorrow in one play. Don't you like such a masterpiece? I am not happy! Years are lingering, the fragrance is still fresh, the happiness is not passed, the white tea is not given, I am here, where are you?
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