I think the two best stories: "Automated Factory", the struggle in the post-nuclear apocalypse wasteland. In one shot, as the aircraft slowly approached, the huge and eerie automatic factory gradually occupied the entire screen, like a monster's lair, which was particularly shocking. The ending is doubly reversed as the truth about the Auto Factory is revealed.
In "Real Life", "I" shuttles back and forth between two kinds of life, and it is impossible to tell which one is the real life. The final choice is embarrassing.
There are also some good ones: "The Mask Maker" and "Human Is". Although they can be interpreted from different angles, it is not a bad idea to treat it as a love story. The former is the deceived sincerity, and the latter is the aroused love. .
"Commuter", a story about choice, escape from the riddled reality of life, to a place of ease, but finally return to reality, because there is no utopia without love and responsibility.
In "Safe and Sound", the government used a pua-style brainwashing of a girl to bring down her mother. Except that the ending is a little superfluous, the beginnings and turns of the story are very compact and smooth.
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