Theme: light comedy, spy war, science fiction; also translated as: "Michael is busy"
Starring: Michael Wu Ti: Michael
Cameo: Bubbles
This movie, in all fairness, is really nonsensical and funny, but seeing the shot of him happily flying around in the spaceship, I think the movie is worth it. A few thoughts: 1. His black features (including but not limited to appearance culture, etc.) are obvious. 2. The cute version of little Mike dancing is really cute. 3. Seeing Mike's stuttering in the tour bus is my laughing point. Everyone wears funny hoods, he runs with a smile all the time, and bgm also plays his powerful lyrics, but, in the face of these, is he really good at it? Did he really get rid of pesky stalkers and vampires like the bunny in the movie? The style of the first half is simple, and the modeling props are simple. I think this is a low-budget movie. The biggest investment may be to invite Mike to star in it. Besides, he is self-funded. . . 5. The stage shot is really super clear and looks cool! At the same time, the film is also the source of many emojis and out-of-the-circle pictures. 6. Is this a big skewer of MJ's song Mv? After reading it, it seems that I have a more thorough understanding of his creation. His childlike innocence, his heroic dream. Some of the camera shots are from Neverland, maybe he also hopes to have adventures there? 7. In the movie, he returned to his home planet after stopping the conspiracy of bug and drug to destroy children, but in the end because of the lucky star of the little girl, he returned to earth as his king of pop and invited three friends to watch it. What about reality? He should have gone back earlier. RIP 8. Was the wonderful bar Yoyo entered in "Love Apartment" inspired by the club in this movie? 9. Michael really understands sexiness, but doesn't abuse it. For example, the beautiful woman who just entered the bar, such as the Egyptian (?) beautiful woman who is similar to the wall, when Mike turned to leave, the Egyptian beautiful woman still stuffed the money in her chest???
A few details: 1. Some of the policemen who forced Mike into the prop room were holding a SLR (in the posture of holding a pistol, and the SLR was also presented in the style of a gun), and finally when Mike looked back, the movie gave the SLR gun alone. (Let's call it that) a close-up. There are also media in the row (it seems to be 2 rows * 6 rows) holding the cameras and clacking non-stop, and they are overwhelmingly overwhelming. Unlike the others, they leave little room for Mike to escape. 2. Mike's kindness: Although Mike Rabbit has been handing out tickets to other people (the ones who can escape in the end), he is always by the side when facing real traffic dangers warning those who are chasing him to stop or they will Take the ticket (the last people were taken by the police) (this is purely personal understanding, maybe it is a way for Mike Rabbit to ask them in the end); in the final battle, when Mike fought back against the men in black (the first few) Not attacking people, but attacking surrounding buildings (walls, fences, etc., through the waves caused by these noon explosions to knock down people in black), is this also a kind of humanitarianism? 6. There is a lyric on bgm saying that you gave me money and love, you once owned me but hurt me in the end. Now let's see who regrets it? Impressed me, but it certainly didn't point to it.
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