Thanks to the Hegemony Society for taking over, so that such an excellent work can get widespread attention. It happened that the film was deserted recently, and I quit two mobile games, so I started the journey of comics. Just here to share.
Looking back, I can roughly figure out the reason why wit took over this project after the giant. The bloody fight, the huge forces behind it and the cruel background of the times, complement each other in depth and breadth, and what shines in the end is the brilliance of human nature. Compared with the brainless and hot-blooded juvenile manga, this kind of work leaves more room for animation production. It can not only use smooth storyboards to complement the comic fragment-style depiction, but also add expressions on the basis of the original literary drama. The performance, the skeleton is majestic, and the flesh is filled according to the perfect figure.
However, if you are indulged in the love and hatred of the first part and suddenly start the second season, I believe many people will be persuaded to quit. Judging from most of the previous works, the new season of almost all works is a new season, but it is a new case, a new boss, a new copy, a new arrangement and combination, and it is all over again. The advantage is business A greater probability of success and a link between the past and the future in word of mouth. However, looking at how much the character itself has grown, Wang Dao comics are the value of force, the values of the measurements, and the overall improvement of weapons and equipment. And few are willing to leave the brushstrokes to the growth of the mind and the advancement of character. Passers-by can only recall "100% Psionic Energy" and "Steel" for a while.
This ratio only shows one point: the reason why the kingly way is the kingly way is that it represents the interests of the vast majority of people. If you want to have a wide audience, it is still a hot-blooded routine to eat well.
In contrast to this work, both the original author and wit are well versed in this. It was evident from the beginning. The beginning of the comic is that Acherit and Tolphine took advantage of the fishermen in France, which is a wonderful chapter that can reflect the mobility of the Nordic people on the sea in the tenth century. The wit is a completely sequential way, starting from the war ghost of Yom, it is a little dull, but the strategy of three words in one breath grabs the audience instantly.
(Because it is written under the entry of animation, the friends who have the chance to see this should be the audience of animation. In order to avoid spoilers as much as possible, the subsequent descriptions try to avoid key plots, but if you have friends who are very concerned, you can directly close them now. Drop this miscellaneous note.)
But after the first season, the fighting scenes have basically come to an end, and there are few Torfin shots after that, and the scenes completely depict the growth of the characters. Regarding this point, although I am very intoxicated as an uncle Ben Four, I am not optimistic in the face of the tone of the mainstream market. After all, compared to One Piece's so-called full escalation of the battle after 2 years, this predictable second season is completely full of mental enlightenment. The characters can become decadent and grow up overnight, and the audience needs more time to grow and understand. .
If I have to describe it, the first season is like a bloody romance with murmurs. As far as I can see, the slave chapter is a confused youth manga, and in the later Greek chapter, it is more like a middle-aged manga. In the first season, you can spin and jump with your eyes closed. In the second season, you found that the 360-degree crotch windmill you practiced to take off from the free throw line is useless on the field. In the third season, you came to the unit and found that you have hands and feet. The big man arches you, and all the dreamy footsteps you are proud of are of no avail. Fortunately, the protagonist has a halo after all, the goal is clearer, the eyes are gradually clearer, the mentality is more peaceful, and he can enjoy himself more and bear more.
Finally, let me say a digression. Maybe it is the huge demand of the business now. After reading too much, there are only good ideas. The painters are not good, the production is not good, and even the plot control ability is not good, only the works that are set. Such a wonderful work of Pirates of War, if there is no wit push, I am afraid it will be buried. Thinking about the animation as a milestone in Bakuman, as a result, the emergence of animation works such as "In Shimo Sakamoto" and "Backstreet Girl" is completely shocking. In an era when everyone is impetuous, how many works like this one are needed to make people concentrate on enjoying the beauty of life, rather than just soaking in interesting hormones?
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