Maria Bryan's marriage. The feeling is that everyone has a sense of self-identification as an object in their hearts. For the heroine, the sense of identity is projected onto the husband's wife. So she violated morals and became a mistress in the name of "earning a house for the couple". Anyone with a discerning eye can see that after she became a successful businessman, she has become very accustomed to a selfish and cold-blooded lifestyle, so she has to give away all her property to prove that she still regards her wife's identity as more important than a businessman. The problem is that when she knows that her wife's object identity has been allowed to be stripped away by the subject husband, she instantly loses her sense of self-meaning. suicide. So everyone really has to be careful and careful about the object self-identity projection they play. Otherwise, if one day is denied by the main body, I will feel very uncomfortable. Or don't be paranoid, play a little bit of each character and don't go too deep into the play. It's also a good way to save lives. The heroine's wealth, beauty and intelligence are all things that can be pursued logically, but she still can't survive. It's really not like what she would do with diverse and flexible values. Or she thought that what she was selling was her beauty, wisdom, and labor value. In fact, even the weak and mediocre Herman could decide her at will. Maybe it's the despair that a woman can't control herself. Maybe both.
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