The difference between fans and passers-by watching movies is the cognitive cost. For loyal fans, the cost of watching a movie is always zero; ordinary fans may need auxiliary materials or think for a while to understand; and passers-by... well, it is absolutely impossible for passers-by to come to watch this animation, and pure passers-by must also can not read. The complex characters and the plot without cause and effect are really painful. And how to tell a story so that passersby can understand it, how to lower the threshold for watching movies and how to break the circle, DC still has not solved it for more than ten years.
Regarding the issue of the n52 character design, some are the original sin of the comics, and others are the fault of the adaptation. The success of "Gods and Monsters" can be attributed to the originality. All the rest of this period, except for a few of Oliva's films, which I prefer, are indescribable. I don't want to say anything more, anyway, this is about to start rebirth, let him pass the past... It's too early, this young man's impulse is super (the first 5 minutes of this film are vividly reflected), the bat who weakens the ooc ( The creators of "Silence", who can't figure out the point (and there is no WF party), can finally say goodbye to them (make a fist)!
Leaving these aside~ I personally think this film is still the best work in the animation series that has been going downhill recently. The limited emotional line (including the family line) is well portrayed. It would be good if you gave the eldest and youngest Mera and Xiaochao more shots. At this time, if you don't abuse your heart and just point it to the end, it will be bad. Five stars for selfishness, one star for Rice, one star for Zhakang, one star for Lois, Harley, WW Raven, one star for such a handsome master, and one star for celebrating the rebirth.
Digression, n52 Chao is really unloved. When he came up with the aftermath of resurrection, he acted arbitrarily, and the master didn't have to stop it, but made a Plan B directly. Either the relationship is not deep enough, or it is disappointing enough.
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