The complicated bilateral-triangular-four-person relationship in the film shows us whether people still retain such a primitive memory after losing the walking and group marriage systems.
The film blurs everyone's identities while depicting the protagonists' turbulent relationships. In emotional connivance, there are no boundaries of identity. People are so easily lost in their feelings that ethics seem a bit ridiculous.
The first pair is son and girlfriend; the second pair is the mother of the son and the girlfriend; the third pair is the father and the mother of the son's girlfriend; the fourth pair is the girlfriend and the lover; the fifth pair is the father and the son's girlfriend; the sixth pair It is the lover of the mother and the son's girlfriend; the seventh pair is the father and the mother; the eighth pair is the son and the mother. The
director used the script to exhaust all the relationships between the 6 people of the opposite sex - these relationships are folded, crossed, reciprocated, and twisted completely. The kinship and blood relationship of human race, ethnicity, and clan are excluded. But all these relationships have their reasons for having to happen.
The most fundamental reason is lust itself. It is lust that speaks. When passion speaks, it has no scruples; and when it has scruples, it is either silent or deformed. In this film, the director creates a harmony of homogeneity.
If we talk about unity or harmony now, then it is the unity of the thing itself and itself, or the unity between heterogeneous substances, but the unity of homogeneous substances seems to be a sore spot that no one can touch. For example, love chases love, lust chases lust, and desire chases desire. In the mutual pursuit of these homogeneous substances, it can be expressed as playfulness, entanglement, and even suffering.
"Ham, Ham" is such an ordeal. During the chase, the six people re-acquainted themselves. This identification process is cryptic. Because on the surface, everyone seems to be straightforward. In fact, this is what the director did on purpose. The director is not in the mood to dwell on what everyone thinks, but just focuses on how the characters act. The director has contempt for the background of the abnormal relationship and so on. From the director's point of view, no matter what kind of person or position they occupy, they have the possibility and impulse to cross the line.
Ham - Vitality - Kind - Silence in Explosion and Silence in Explosion. "Ham, ham" is actually a harmonious theme. Because the structure of the characters' chaos is tragic. The mother lost her son and lover; the girlfriend lost her boyfriend and lover... Is the director compromising? No, after the burst of vitality is completed, it is nothingness. This is not a compromise, it is a respect for the facts.
After all, people are not gods. After all, they still walk cautiously in the world. If they cross the border, the consequences will be very serious.
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