When one-third of the entire film is aimed at a person's forehead and side, narcissism has become irrelevant. We knew Vincent Gallo's narcissism early on, but the question is how narcissistic he can be. ? He is too aware of his strengths, so he has always zoomed in as much as possible and performed to the extreme in front of the camera. If "Buffalo 66" still has a feeling and cuteness, then it's a pity, "Brown Rabbit" doesn't even have that little bit of cuteness.
In the case of movies, the plot and logic of the story have not always been the most important. If a movie is to make a story like a Hollywood one, and then start-development-climax-end, change the narrative technique from time to time , flashback or recall, what's the point of that? If you just read the story, what else do you think about doing? The most important thing about a movie is the feeling, what kind of message it sends to the viewer. Of course, this feedback will vary depending on the viewer’s own experience and knowledge reserves, but the problem is that you can’t lose control. Or we could put it this way, Vincent Gallo doesn't admit that he's out of control, he just thinks he's stuck in it and can't get out of it - that deeply attached self.
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