The direct meaning of this film, which confirms family connections and one's own identity through time and space, is "mellow" enough to arouse emotional resonance, and is more supportive than other schools in recent years. It's too solid for its line counterparts (same reality plus fantasy). Of course, there are many widespread criticisms of Hosoda's various arrangements for realizing this idea in the narrative of this work, which are based on reality or on the basis of drama, but under my personal aesthetic preference, I am still hopeless. I was persuaded by Hosoda's strategy of protruding space in this work. It is the biggest secret magic weapon for this role to supplement the "persuasion" of time and space and family connections. appearing after time change) already hinted at this appeal. Under the unique scene space design of the protagonist's house, the low-conscious and objective lens is because of this special space. The functions such as metaphorical composition, on the other hand, are completely different from popular methods in aesthetics. This mirror tone is also extended to the plot in the fantasy past, and the result is that compared to most modern urban and fantasy films, even the fantasy part of this work has a too high sense of existence. The significance of this is that: this kind of perspective that highlights the protagonist's time and space is not only a "memory" but also a "personal experience". If it is not a "personal experience", for example, the life of the great-grandfather is a purely inspirational story. If it has an impact on the protagonist, it must be the most rude preaching, but the current emphasis on the "personal experience" performance strategy, trying to give the audience a personal experience, still provides a certain degree of persuasion. Of course, it is a pity that this strategy has not been done very well. The "rootless" fantasy component of the Shinkansen part is suddenly too strong. Fortunately, it came back at the end - the experience in the family record tree is not Simply peeping at the records one by one, but experiencing the past and the future, and then confirming the connection with the family.
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