This is a work of art where everything is just right

Lupe 2022-06-20 10:48:19

First of all, what impresses me the most, and what impresses me most intuitively, is his oil painting-like picture. Every frame is meticulously crafted, and every ray of sunlight is just right. The sense of seclusion and coldness revealed by the medieval-style stone castle architecture can bring me into the plot even more. The picture outside the castle is also in the autumn season, there is no extra decoration, and desolation is the main tone.

The costumes in the play are really attentive. The costumes of the king and queen are extremely luxurious. The wedding scene at the beginning and the theater scene at the back can be said to be a visual feast.

Then there is the almost neurotic acting of the protagonist. At the time, it was not obvious that he was the director of Braveheart. Later, there was a sense of certainty. In fact, it's not just the protagonist, the queen is even more impressive. Although I feel that every actor here is a little too hard, they do not violate the harmony at all. I have seen the original work, and I am mentally prepared for the way Shakespeare expresses emotions. It can also digest obscure lines, and everything is just right.

Compared with Hamlet, Ophelia's entry and end are actually more like the epitome of this work. Just like the pantomime prelude in Hamlet's stage play, Ophelia's ending also heralds the direction of the whole work. .

In the end, in order to distinguish the plot from the stage play, the director made a slight change at the beginning, making the whole story into a movie style, all of which are just right.

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Extended Reading
  • Darren 2022-06-20 09:41:11

    On the basis of the Sir Oliver version, the lines are cut and the monologues are broken and the order is adjusted, which reduces the difficulty of acting and watching. At the same time, the two characters that were deleted from the jazz version are returned, and the adaptation is not bad. The casting is amazing, but It's better than expected. Mel Gibson's lines are very good. Although Helena looks like a quarrel and breakup scene, the crazy first paragraph is unexpectedly helpful to understand and is good~ This version of Hamlet is more rational than the bc version~ The mother's presence is completely cover uncle~

Hamlet quotes

  • [Hamlet descends the stairs to the sepulcher, to visit his father's tomb. His eyes are red with grief. He looks around warily, as though wondering if the Ghost might appear. He's depressed on many accounts: he's just frightened Ophelia, whom he loves; he himself is frightened by the Ghost's command to kill his uncle; he's been playing a madman all this time in order to kill his uncle, and he is afraid to continue to do any of these things]

    Hamlet: To be, or not to be, that is the question. Whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles and by opposing, end them. To die, to sleep no more...

    [He gazes at the skeletons residing in niches of the sepulcher]

    Hamlet: ...and by a sleep to say...

    [He finally comes to his father's tomb]

    Hamlet: ...we end the heartache and the thousand natural shocks that flesh is heir to!

    [Hamlet rests his fists upon his father's tomb, closes his eyes, and shapes his hands into prayer position]

    Hamlet: 'Tis a consummation devoutly to be wished! To die, to sleep. To sleep -

    [in alarm at the idea, he stands and paces]

    Hamlet: - perchance to dream! Aye, there's the rub, for in that sleep of death what dreams may come, when we have shuffled off this mortal coil, must give us pause. There's the respect that makes calamity of so long life.

    [He lays his head upon his father's tomb]

    Hamlet: [viciously] For who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely, the pangs of despised love, the law's delay, the insolence of office, and the spurns that patient merit of the unworthy takes, when he himself might his quietus make with a bare bodkin?

    [He stares at the ground, near to weeping]

    Hamlet: Who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose bourn no traveler returns, puzzles the will, and makes us rather bear those ills we have than fly to others that we know not of?

    [He looks at the ceiling, or to Heaven]

    Hamlet: Thus conscience does make cowards of us all...

  • Hamlet: The play's the thing, wherein I'll catch the conscience of the king.